Marie

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The City of Ember
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Alias Grace
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by Margaret Atwood (Goodreads Author)
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The Best American...
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Craig D. Lounsbrough
“The most dangerous thing we can do with intelligence is to let it speak without being both chastised and informed by wisdom. For if we let it speak without the constraints and forbearance of wisdom, we will destroy ourselves. And in doing so, we will be so caught up in our ‘intelligence’ that we won’t even realize that it’s ‘us’ that’s killing ‘us.”
Craig D. Lounsbrough

Luce Irigaray
“Our eyes are not capable of seeing, nor even contemplating, intimacy, at least not directly. They can only imagine something about intimacy from the light, the gestures, the words, that it radiates. But intimacy as such will remain invisible, irreducible to appropriation, and thus strange to the logic of Western discourse, to the logos, except in its delusion its lack, its derelictions and artificial ecstasies. Intimacy allows itself neither to be seen nor to be seized. Nevertheless it is probably the core of our being. And any attempts to appropriate it risks annihilating being itself. However, it is not a question of magic, of irrationality, of madness--it is a question of touch.”
Luce Irigaray, Sharing the World

“God did not give horns to the humans, nor the sharp nails or teeth like the lions because he thought the intelligent brain of the humans would be enough to survive on earth!”
Md. Ziaul Haque

Vi Keeland
“My mom always said good parenting was spending half the amount of money you think you should and double the amount of free time you have with your kids.”
Vi Keeland, Sex, Not Love

Elizabeth Hardwick
“The norms of fiction, the reader of Sleepless Nights might well conclude, are after all a constriction, or at least a superfluity: Since to live is to make fiction, what need to disguise the world as another, alternate one? At the same time strict reportage, with its prohibition against invention, imposes its own aesthetically intolerable demands. Sleepless Nights, an alchemical tour de force, reports by inventing and invents by reporting. It continues to remind us how the novel can become richer by permitting itself the resources of essay, journal, memoir, prose poem, chronicle. It is a commonplace that every book needs to find its own form, but how many do?”
Elizabeth Hardwick, Sleepless Nights

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