Astrid

“Speaking of lowest, I would also like to give a very enthusiastic fuck you to my anxiety. Thanks for, as always, being the worst.”
― Ashley Poston, The Dead Romantics

“I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.”
― Ali Hazelwood, Love on the Brain

“God, she had forced a married man, a father, to kiss her. Now people thought that he was having an affair. His wife was probably crying into her pillow. His kids would grow up with horrible daddy issues and become serial killers.”
― Ali Hazelwood, The Love Hypothesis

“I believe there are far more possibilities than happily ever after or tragedy. Every story has the potential for infinite endings.”
― Stephanie Garber, Once Upon a Broken Heart