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Norwegian Wood
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Wij zijn ons brei...
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Geheime kamers
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Bernhard Schlink
“When we open ourselves
you yourself to me and I myself to you,
when we submerge
you into me and I into you
when we vanish
into me you and into you I

Then
am I me
and you are you.”
Bernhard Schlink, The Reader

Kurt Vonnegut Jr.
“Everything was beautiful and nothing hurt.”
Kurt Vonnegut, Slaughterhouse-Five

Plutarch
“But for the sake of some little mouthful of flesh we deprive a soul of the sun and light, and of that proportion of life and time it had been born into the world to enjoy.”
Plutarch

Jack London
“There is an ecstasy that marks the summit of life, and beyond which life cannot rise. And such is the paradox of living, this ecstasy comes when one is most alive, and it comes as a complete forgetfulness that one is alive.
This ecstasy, this forgetfulness of living, comes to the artist, caught up and out of himself in a sheet of flame; it comes to the soldier, war-mad in a stricken field and refusing quarter; and it came to Buck, leading the pack, sounding the old wolf-cry, straining after the food that was alive and that fled swiftly before him through the moonlight.”
Jack London, The Call of the Wild

Pascal Mercier
“The afternoon began with Greek. It was the Rector who taught them (…). He had the most beautiful Greek handwriting you could imagine; he drew the letters ceremonially, and the loops especially – as in Omega or Theta, or when pulled the Eta down – were the purest calligraphy. He loved Greek. But he loved it in the wrong way; thought Gregorius at the back of the classroom. His way of loving it was a conceited way. It wasn’t by celebrating the words. If it had been that –Gregorius would have liked it. But when this man wrote out the most difficult verb forms, he celebrated not the words, but rather himself as one who knew them. The words thus became ornaments to him, he adorned himself with them, they turned into something like the polka dotted bow tie he wore year in, year out”
Pascal Mercier, Night Train to Lisbon

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