Molly
https://www.goodreads.com/mllynclsn
“The ecosystem itself is not just a landscape full of plant and animal species; it’s an intricate network of relationships, including those between predators and their prey, between flowering plants and their pollinators, between fruiting plants and the animals that disperse their seeds. Each such relationship constitutes a link between trophic levels.”
― The Song of the Dodo: Island Biogeography in an Age of Extinctions
― The Song of the Dodo: Island Biogeography in an Age of Extinctions
“There’s a voice that says: "So what?"
It’s not my voice, it’s probably not yours, but it makes itself heard in the arenas of public opinion, querulous and smug and fortified by just a little knowledge, which as always is a dangerous thing. "So what if a bunch of species go extinct?" It says. "Extinction is a natural process. Darwin himself said so, didn’t he? Extinction is the complement of evolution, making room for new species to evolve. There have always been extinctions. So why worry about these extinctions currently being caused by humanity?" And there has always been a pilot light burning in your furnace. So why worry when your house is on fire?”
― The Song of the Dodo: Island Biogeography in an Age of Extinction
It’s not my voice, it’s probably not yours, but it makes itself heard in the arenas of public opinion, querulous and smug and fortified by just a little knowledge, which as always is a dangerous thing. "So what if a bunch of species go extinct?" It says. "Extinction is a natural process. Darwin himself said so, didn’t he? Extinction is the complement of evolution, making room for new species to evolve. There have always been extinctions. So why worry about these extinctions currently being caused by humanity?" And there has always been a pilot light burning in your furnace. So why worry when your house is on fire?”
― The Song of the Dodo: Island Biogeography in an Age of Extinction
“Rootlessness," I opine, "is the twenty-first century norm."
"You're not wrong and that's why we're in the shit we're in, mate. If you belong nowhere, why give a tinker's toss about anywhere?”
― The Bone Clocks
"You're not wrong and that's why we're in the shit we're in, mate. If you belong nowhere, why give a tinker's toss about anywhere?”
― The Bone Clocks
“Like the best songs, you can't see the next line coming, but once it's sung, how else could it have gone?”
― The Bone Clocks
― The Bone Clocks
“Imagine a single survivor, a lonely fugitive at large on mainland Mauritius at the end of the seventeenth century. Imagine this fugitive as a female. She would have been bulky and flightless and befuddled—but resourceful enough to have escaped and endured when the other birds didn’t. Or else she was lucky.
Maybe she had spent all her years in the Bambous Mountains along the southeastern coast, where the various forms of human-brought menace were slow to penetrate. Or she might have lurked in a creek drainage of the Black River Gorges. Time and trouble had finally caught up with her. Imagine that her last hatchling had been snarfed by a [invasive] feral pig. That her last fertile egg had been eaten by a [invasive] monkey. That her mate was dead, clubbed by a hungry Dutch sailor, and that she had no hope of finding another. During the past halfdozen years, longer than a bird could remember, she had not even set eyes on a member of her own species.
Raphus cucullatus had become rare unto death. But this one flesh-and-blood individual still lived. Imagine that she was thirty years old, or thirty-five, an ancient age for most sorts of bird but not impossible for a member of such a large-bodied species. She no longer ran, she waddled. Lately she was going blind. Her digestive system was balky. In the dark of an early morning in 1667, say, during a rainstorm, she took cover beneath a cold stone ledge at the base of one of the Black River cliffs. She drew her head down against her body, fluffed her feathers for warmth, squinted in patient misery. She waited. She didn't know it, nor did anyone else, but she was the only dodo on Earth. When the storm passed, she never opened her eyes. This is extinction.”
― The Song of the Dodo: Island Biogeography in an Age of Extinction
Maybe she had spent all her years in the Bambous Mountains along the southeastern coast, where the various forms of human-brought menace were slow to penetrate. Or she might have lurked in a creek drainage of the Black River Gorges. Time and trouble had finally caught up with her. Imagine that her last hatchling had been snarfed by a [invasive] feral pig. That her last fertile egg had been eaten by a [invasive] monkey. That her mate was dead, clubbed by a hungry Dutch sailor, and that she had no hope of finding another. During the past halfdozen years, longer than a bird could remember, she had not even set eyes on a member of her own species.
Raphus cucullatus had become rare unto death. But this one flesh-and-blood individual still lived. Imagine that she was thirty years old, or thirty-five, an ancient age for most sorts of bird but not impossible for a member of such a large-bodied species. She no longer ran, she waddled. Lately she was going blind. Her digestive system was balky. In the dark of an early morning in 1667, say, during a rainstorm, she took cover beneath a cold stone ledge at the base of one of the Black River cliffs. She drew her head down against her body, fluffed her feathers for warmth, squinted in patient misery. She waited. She didn't know it, nor did anyone else, but she was the only dodo on Earth. When the storm passed, she never opened her eyes. This is extinction.”
― The Song of the Dodo: Island Biogeography in an Age of Extinction
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