“We mostly understand ourselves through an endless series of stories told to ourselves by ourselves and others. The so-called facts of our individual worlds are highly coloured and arbitrary, facts that fit whatever reality we have chosen to believe in. . . . It may be that to understand ourselves as fictions, is to understand ourselves as fully as we can.”
― Art Objects: Essays on Ecstasy and Effrontery
― Art Objects: Essays on Ecstasy and Effrontery
“You want to tell a story? Grow a heart. Grow two. Now, with the second heart, smash the first one into bits.”
― How to Live Safely in a Science Fictional Universe
― How to Live Safely in a Science Fictional Universe
“Who do you imagine you are? Imagine there's a version of you that sees all of it. A version that knows when versions are messing with the other ones, trying to get things off track, trying to erase things. A record of all the versions, partial and deleted and written over. All the changes. All truths about all parts of our self. We break ourselves up into parts. To lie to ourselves, to hide things from ourselves. You are not you. You are not what you think you are. You are bigger than you think. More complicated than you think. You are the only version of you that is you. There are less of you than you think, and more. There are a million versions of you, half a trillion. One for every particle, every quantum coin flip. Imagine this uncountable number of yous. You don't always have your own best interests at heart. It's true. You are your own best friend and your own worst enemy. . . . Only you know what you need to do. Imagine there is a perfect version of you. Out of all the oceans of oceans of you, there is exactly one who is perfectly you. And that's me. And I'm telling you that you are the only you.”
― How to Live Safely in a Science Fictional Universe
― How to Live Safely in a Science Fictional Universe
“Trans” may work well enough as shorthand, but the quickly developing mainstream narrative it evokes (“born in the wrong body,” necessitating an orthopedic pilgrimage between two fixed destinations) is useless for some—but partially, or even profoundly, useful for others? That for some, “transitioning” may mean leaving one gender entirely behind, while for others—like Harry, who is happy to identify as a butch on T—it doesn’t? I’m not on my way anywhere, Harry sometimes tells inquirers. How to explain, in a culture frantic for resolution, that sometimes the shit stays messy? I do not want the female gender that has been assigned to me at birth. Neither do I want the male gender that transsexual medicine can furnish and that the state will award me if I behave in the right way. I don’t want any of it. How to explain that for some, or for some at some times, this irresolution is OK—desirable, even (e.g., “gender hackers”)—whereas for others, or for others at some times, it stays a source of conflict or grief? How does one get across the fact that the best way to find out how people feel about their gender or their sexuality—or anything else, really—is to listen to what they tell you, and to try to treat them accordingly, without shellacking over their version of reality with yours?”
― The Argonauts
― The Argonauts
Eli’s 2025 Year in Books
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