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Imprints: The Pok...
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Notes of a Crocodile
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The Essential Dyk...
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by Alison Bechdel (Goodreads Author)
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Richard Siken
“Raphael, Saint George and the Dragon, 1504-06

It’s hard to talk about what you believe while you are
believing it. Fervor reduces thought to shorthand and
all we get is an icon. Give a man a weapon and you
have a warrior. Put him on a horse and you have
a hero. The weapon is a tool. The horse is a metaphor.
Raphael painted this twice—white horse facing east
against the greens, white horse facing west against the
yellows. The maiden flees or prays, depending. A basic
dragon, the kind you’d expect from the Renaissance.
Evidence of evil but not proof. There’s a companion piece
as well: Saint Michael. Paint angels, it’s easier:
you don’t need the horse. Michael stands on Satan’s
throat, vanquishing, while everything brown burns red.
All these things happened. Allegedly. When you paint
an evil thing, do you invoke it or take away its power?
This has nothing to do with faith but is still a good
question. Raphael was trying to say something
about spirituality. This could be the definition of painting.
The best part of spirituality is reverence. There are other
parts. Some people like to hear the sound of their own
voice. If you don’t believe in the world it would be
stupid to paint it. If you don’t believe in God, who
are you talking to?”
Richard Siken, War of the Foxes

Richard Siken
“We could pull it apart, spend our whole lives pulling it apart and have no time left to do anything smart with the pieces.”
Richard Siken, War of the Foxes

Richard Siken
“Dots Everywhere"

I erased my legs and forgot to draw in the stilts.
It looks like I’m floating but I’m not floating.
Sometimes I draw you with fangs. I tell you these
things because I love you. Some people paint
with whiskey and call it social drinking. Some people
paint drunk and put dots of color everywhere.
In the morning the dots make them happy. I am
putting dots of color everywhere and you are sleeping.
Something has happened in the paint tonight and
it is worth keeping. It’s nothing like I thought it
would be and closer to what I meant. None of it is
real, darling. I say it to you. Maybe we will wake up
singing. Maybe we will wake up to the silence
of shoes at the foot of the bed not going anywhere.”
Richard Siken, War of the Foxes

Richard Siken
“The Museum

Two lovers went to the museum and
wandered the
rooms. He saw a painting and stood in front
of it
for too long. It was a few minutes before she
realized he had gotten stuck. He was stuck
looking
at a painting. She stood next to him, looking
at his
face and then the face in the painting. What
do you
see? she asked. I don't know, he said. He didn't know. She was disappointed, then bored. He
was
looking at a face and she was looking at her watch.
This is where everything changed. There was
now
a distance between them. He was looking at
a face
but it might as well have been a cabbage or a sugar beet. Perhaps it was something about
yellow
near pink. He didn't know how to say it.
Years later
he still didn't know how to say it, and she was gone.”
Richard Siken, War of the Foxes
tags: life

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