Vina

“In many Asian American novels, writers set trauma in a distant mother country or within an insular Asian family to ensure that their pain is not a reproof against American imperial geopolitics or domestic racism; the outlying forces that cause their pain—Asian Patriarchal Fathers, White People Back Then—are remote enough to allow everyone, including the reader, off the hook.”
― Cathy Park Hong, Minor Feelings: An Asian American Reckoning

“Believing takes practice.”
― Madeleine L'Engle, A Wrinkle in Time: With Related Readings

“We keep our heads down and work hard, believing that our diligence will reward us with our dignity, but our diligence will only make us disappear. By not speaking up, we perpetuate the myth that our shame is caused by our repressive culture and the country we fled, whereas America has given us nothing but opportunity. The lie that Asians have it good is so insidious that even now as I write, I’m shadowed by doubt that I didn’t have it bad compared to others. but racial trauma is not a competitive sport. The problem is not that my childhood was exceptionally traumatic but that it was in fact rather typical. Most white Americans can only understand racial trauma as a spectacle.”
― Cathy Park Hong, Minor Feelings: An Asian American Reckoning

“Suddenly Americans feel self-conscious of their white identity and this self-consciousness misleads them into thinking their identity is under threat. In feeling wrong, they feel wronged. In being asked to be made aware of racial oppression, they feel oppressed. While we laugh at white tears, white tears can turn dangerous. White tears, as Damon Young explains in The Root, are why defeated Southerners refused to accept the freedom of black slaves and formed the Ku Klux Klan. And white tears are why 63 percent of white men and 53 percent of white women elected a malignant man-child as their leader.”
― Cathy Park Hong, Minor Feelings: An Asian American Reckoning