Dario Bercich

“But then in your thirties something strange starts to happen. It’s a mere hiccup at first, an instant of hesitation. How old are you? Oh, I’m—you start confidently, but then you stop. You were going to say thirty-three, but you’re not. You’re thirty-five. And then you’re bothered, because you wonder if this is the beginning of the end. It is, of course, but it’s decades before you admit it.”
― Sara Gruen, Water for Elephants

“What the music offers in a good opera is something that comes from a region that precedes the concrete concept of drama and, strictly speaking, stands outside the world of drama. Opera does not permit men to appear in nakedly logical acts, for the music dissolves feelings and thoughts into melodies and rhythms, harmonies and counterpoints, which in themselves have no conceptual meaning. Thus in opera objective situations may very well become entirely subjective expressions. Because of its paradoxical nature opera is capable of paradoxical effects; it can express purely sensuously the most profound abstractions, and the musical drama, exerting a mass effect far more than does the spoken drama, is much more primitive as drama than the spoken theatre; it must render conflict and character in immediate symbols.”
― Paul Henry Lang, George Frideric Handel

“Suicide is the #1 killer of a person who is in a boat and happens to be passing under a bridge at the wrong time.”
― Demetri Martin, This Is a Book

“debts now-a-days are like children, begot with pleasure, but brought forth with pain.”
― Molière, The Blunderer