“The suffering or the bad memories are as important as the good memories, and the good experiences. If you sort of, can imagine life as being 99% of the time quite linear, and most of the time you're in a state of neither happiness nor sadness. And then that 1% of the time you experience moments of very crystalised happiness, or crystalised sadness, or loneliness or depression. And I believe all of those moments are very pertinant. It's like I said to you, that for me it's mostly those crystalised moments of melancholy which are more inspirational to me. And in a strange way they become quite beautiful in their own way. Music that is sad, melancholic, depressing, is in a kind of perverse way more uplifting. I find happy music extremely depressing, mostly - mostly quite depressing. It's particularly this happy music that has no spirituality behind it - if it's just sort of mindless party music, it'd be quite depressing. But largely speaking, I was the kind of person that responds more to melancholia, and it makes me feel good. And I think the reason for this is, I think if you respond strongly to that kind of art, it's because in a way it makes you feel like you're not alone. So when we hear a very sad song, it makes us realise that we do share this kind of common human experience, and we're all kind of bonded in sadness and melancholia and depression.”
―
―
“Simplicity is the final achievement. After one has played a vast quantity of notes and more notes, it is simplicity that emerges as the crowning reward of art.”
―
―
“The most painful thing is losing yourself in the process of loving someone too much, and forgetting that you are special too.”
― Men Without Women
― Men Without Women
“Living grows 'round us like a skin
to shut away the desolation
for if we clearly mark the furthest deep
we should be dead long years before the grave
But turning around within
the homely shell of worry, discontent
and narrow joy
we grow and flourish
and rarely see the outside dark
that would confound our eyes
Some break the shell
I think that there are those
who push their fingers through the brittle walls
and make a hole
and through that cruel slit
stare out across the cinders of the world
with naked eyes
They look both in and out
knowing themselves
and too much else beside”
―
to shut away the desolation
for if we clearly mark the furthest deep
we should be dead long years before the grave
But turning around within
the homely shell of worry, discontent
and narrow joy
we grow and flourish
and rarely see the outside dark
that would confound our eyes
Some break the shell
I think that there are those
who push their fingers through the brittle walls
and make a hole
and through that cruel slit
stare out across the cinders of the world
with naked eyes
They look both in and out
knowing themselves
and too much else beside”
―
“I am constantly trying to communicate something incommunicable, to explain something inexplicable, to tell about something I only feel in my bones and which can only be experienced in those bones. Basically it is nothing other than this fear we have so often talked about, but fear spread to everything, fear of the greatest as of the smallest, fear, paralyzing fear of pronouncing a word, although this fear may not only be fear but also a longing for something greater than all that is fearful.”
― Letters to Milena
― Letters to Milena
Indian Readers
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