Sally Ali

“How can I get up everyday knowing you had to kill yourself to make it stop hurting and I was here all the time and I never even saw it. And then you gave me this chance to make it better, convince you to stay alive and I couldn't do it. How can I live with myself after this, Jessie?”
― Marsha Norman, 'night, Mother

“كل يومين بكبر وارمي حاجات
واكتشف ان انا كان ممكن اعيش من غيرهم اصلا م الاول”
― مصطفي ابراهيم

“Mama: But something might happen. Something that might change everything. Who knows what it might be, but it might be worth waiting for! (Jessie doesn't respond.) Try if for two more weeks.
Jessie: No, Mama
Mama: i'll pay more attention to you. Tell the truth when you ask me. Let you have your say.
Jessie: No, Mama. This is how I have my say. This is how I say what I thought about it ALL and I say No. To Dawson and Loretta and the Red Chinese and epilepsy and Ricky and Cicel and you. And me. And hope. I say No.,”
― Marsha Norman, 'night, Mother

“GOING to him! Happy letter! Tell him—
Tell him the page I did n’t write;
Tell him I only said the syntax,
And left the verb and the pronoun out.
Tell him just how the fingers hurried, 5
Then how they waded, slow, slow, slow;
And then you wished you had eyes in your pages,
So you could see what moved them so.

“Tell him it was n’t a practised writer,
You guessed, from the way the sentence toiled; 10
You could hear the bodice tug, behind you,
As if it held but the might of a child;
You almost pitied it, you, it worked so.
Tell him—No, you may quibble there,
For it would split his heart to know it, 15
And then you and I were silenter.

“Tell him night finished before we finished,
And the old clock kept neighing ‘day!’
And you got sleepy and begged to be ended—
What could it hinder so, to say? 20
Tell him just how she sealed you, cautious,
But if he ask where you are hid
Until to-morrow,—happy letter!
Gesture, coquette, and shake your head!”
― Emily Dickinson