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Whistler
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“Robot Boy
Mr. an Mrs. Smith had a wonderful life.
They were a normal, happy husband and wife.
One day they got news that made Mr. Smith glad.
Mrs. Smith would would be a mom
which would make him the dad!
But something was wrong with their bundle of joy.
It wasn't human at all,
it was a robot boy!
He wasn't warm and cuddly
and he didn't have skin.
Instead there was a cold, thin layer of tin.
There were wires and tubes sticking out of his head.
He just lay there and stared,
not living or dead.

The only time he seemed alive at all
was with a long extension cord
plugged into the wall.

Mr. Smith yelled at the doctor,
"What have you done to my boy?
He's not flesh and blood,
he's aluminum alloy!"

The doctor said gently,
"What I'm going to say
will sound pretty wild.
But you're not the father
of this strange looking child.
You see, there still is some question
about the child's gender,
but we think that its father
is a microwave blender."

The Smith's lives were now filled
with misery and strife.
Mrs. Smith hated her husband,
and he hated his wife.
He never forgave her unholy alliance:
a sexual encounter
with a kitchen appliance.

And Robot Boy
grew to be a young man.

Though he was often mistaken
for a garbage can.”
Tim Burton

Alix E. Harrow
“Those of you who are more than casually familiar with books -- those of you who spend your free afternoons in fusty bookshops, who offer furtive, kindly strokes along the spines of familiar titles -- understand that page riffling is an essential element in the process of introducing oneself to a new book. It isn't about reading the words; it's about reading the smell, which wafts from the pages in a cloud of dust and wood pulp. It might smell expensive and well bound, or it might smell of tissue-thin paper and blurred two-colour prints, or of fifty years unread in the home of a tobacco-smoking old man. Books can smell of cheap thrills or painstaking scholarship, or literary weight or unsolved mysteries.”
Alix E. Harrow, The Ten Thousand Doors of January

Ling  Ma
“What I didn’t say was: I know you too well. You live your life idealistically. You think it’s possible to opt out of the system. No regular income, no health insurance. You quit jobs on a dime. You think this is freedom but I still see the bare, painstakingly cheap way you live, the scrimping and saving, and that is not freedom either. You move in circumscribed circles. You move peripherally, on the margins of everything, pirating movies and eating dollar slices. I used to admire this about you, how fervently you clung to your beliefs—I called it integrity—but five years of watching you live this way has changed me. In this world, money is freedom. Opting out is not a real choice.”
Ling Ma, Severance

Ling  Ma
“Leisure, the problem with the modern condition was the dearth of leisure. And finally, it took a force of nature to interrupt our routines. We just wanted to hit the reset button. We just wanted to feel flush with time to do things of no quantifiable value, our hopeful side pursuits like writing or drawing or something, something other than what we did for money.”
Ling Ma, Severance

Jennifer Saint
“I stayed silent. I realised that when I had seen all those suitors clamour in the hall for Helen, I had believed they were there because they loved her, but I had been wrong. They hated her. They hated her because she was so beautiful and because she made them want her so much. Nothing brought them more joy than the fall of a lovely woman. They picked over her reputation like vultures, scavenging for every scrap of flesh they could devour.”
Jennifer Saint, Elektra

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