Lobna Boukadi

“Every translator’s origin story seems to involve a measure of serendipity, and mine is no exception.”
― Mark Polizzotti, Sympathy for the Traitor: A Translation Manifesto

“Dying means: you are dead already, in an immemorial past, of a death which was not yours, which you have thus neither known nor lived, but under the threat of which you believe you are called upon to live; you await it henceforth in the future, constructing a future to make it possible at last - possible as something that will take place and will belong to the realm of experience.”
― Maurice Blanchot, The Writing of the Disaster

“All of us, more or less, wear masks. Because without masks we can’t survive in this violent world. Beneath an evil-spirit mask lies the natural face of an angel, beneath an angel’s mask lies the face of an evil spirit. It’s impossible to have just one or the other. That’s who we are. And that’s Carnaval. Schumann was able to see the many faces of humanity—the masks and the real faces—because he himself was a deeply divided soul, a person who lived in the stifling gap in between the two.”
― Haruki Murakami, First Person Singular: Stories

“Translation is like any art: in the best of cases, it helps shed light on ourselves, on those hidden corners of ourselves that we barely knew existed, and whose discovery has enriched us. It exposes us to minds and voices able to awaken in us a particular sense of delight, an irreplaceable thrill of discovery that is avail- able nowhere else. The ability of these minds and voices to do this is unique, not because they come from a foreign land—or at least, not solely because of it—but because they are sui generis, as exceptional in their own culture as they appear in ours.”
― Mark Polizzotti