“In time, in time they tell me, I'll not feel so bad. I don't want time to heal me. There's a reason I'm like this.
I want time to set me ugly and knotted with loss of you, marking me. I won't smooth you away.
I can't say goodbye.”
― The Scar
I want time to set me ugly and knotted with loss of you, marking me. I won't smooth you away.
I can't say goodbye.”
― The Scar
“I cannot combine some characters
dhcmrlchtdj
which the divine Library has not foreseen and which in one of its secret tongues do not contain a terrible meaning. No one can articulate a syllable which is not filled with tenderness and fear, which is not, in one of these languages, the powerful name of a god. To speak is to fall into tautology.”
― The Library of Babel
dhcmrlchtdj
which the divine Library has not foreseen and which in one of its secret tongues do not contain a terrible meaning. No one can articulate a syllable which is not filled with tenderness and fear, which is not, in one of these languages, the powerful name of a god. To speak is to fall into tautology.”
― The Library of Babel
“Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf…
The escape from reality was, he felt—especially right after the war—a worthy challenge… The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was the magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.”
― The Amazing Adventures of Kavalier & Clay
The escape from reality was, he felt—especially right after the war—a worthy challenge… The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was the magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.”
― The Amazing Adventures of Kavalier & Clay
“Everybody sympathized with him so much that when he appeared in his fantastic uniform and declared himself to be Emperor of America nobody had the heart to contradict him. He was a gentle and kindly man, and fortunately found himself in the friendliest and most sentimental city in the world, the idea being 'let him be emperor if he wants to.' San Francisco played the game with him.”
― This Life I've Loved: An Autobiography
― This Life I've Loved: An Autobiography
“My mother said the bizarre name Raccoona had surely been inspired, at least on a subliminal level, by the masks raccoons don't wear but simply have - the ones given them by nature..... [S]he pointed out that Le Guin had suspected all along that Raccoona and Tiptree were two authors that came from the same source, but in a letter to Alice she wrote that she preferred Tiptree to Raccoona: 'Raccoona, I think, has less control, thus less wit and power.'
Le Guin, Mother said, had understood something deep. 'When you take on a male persona, something happens.'
When I asked her what that was, she sat back in her chair, waved her arm, and smiled. 'You get to be the father.”
― The Blazing World
Le Guin, Mother said, had understood something deep. 'When you take on a male persona, something happens.'
When I asked her what that was, she sat back in her chair, waved her arm, and smiled. 'You get to be the father.”
― The Blazing World
George’s 2025 Year in Books
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