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Greek Art
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Dark Entries
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“But racism is most outrageously to the fore in ‘Ashraf and Anjab’, in which the sadistically villainous Anjab is described by Harun al-Rashid as follows: ‘This man is black as a negro … with red eyes, a nose like a clay pot and lips like kidneys’, and his mother is no better looking for she ‘was black as pitch with a snub nose, red eyes and an unpleasant smell’. In ‘Sa‘id Son of Hatim’ the monk Simeon predicts that the shrine of the Ka’ba will be destroyed by drunken and singing blacks. As Bernard Lewis’s Race and Slavery in the Middle East put it when discussing the role of blacks in The Thousand and One Nights, it ‘reveals a familiar pattern of sexual fantasy, social and occupational discrimination, and an unthinking identification of lighter with better and darker with worse’.9”
Malcolm C. Lyons, Tales of the Marvellous and News of the Strange

Kate Summerscale
“Inquest juries frequently linked suicide to cheap literature. When a twelve-year-old servant boy hanged himself in Brighton in 1892, the jury delivered a verdict of ‘suicide during temporary insanity, induced by reading trashy novels’. When a twenty-one-year-old farm labourer in Warwickshire shot himself in the head in 1894, the coroner suggested that the fifty penny dreadfuls found in his room had had ‘an unhinging and mesmeric effect’ upon his mind.”
Kate Summerscale, The Wicked Boy

“The moon features frequently as a simile for beauty (and indeed Budur’s name means ‘moons’). Beautiful women are conventionally compared to gazelles. It was more common to evoke beauty through metaphor and simile than by close physical description.”
Malcolm C. Lyons, Tales of the Marvellous and News of the Strange

Kate Summerscale
“and Thomas Anstey Guthrie’s Vice Versa: a Lesson to Fathers, a novel of 1882 about a schoolboy and his father, a City merchant, who exchange bodies and inhabit each others’ lives. The boy’s father is taught how trapped a lively-minded boy can feel when he has ‘no money and few rights’, ‘virtually no way to assert himself in the world around him’.”
Kate Summerscale, The Wicked Boy

Kate Summerscale
“fifteen-year-old from Shepherd’s Bush, West London, who had poisoned himself with carbolic acid. His father had given him a ‘good hiding’, the paper reported, because he had been out of work for a month. The boy left a note reading ‘I wish you to know the reason I did it is because I could not work’, but the judge none the less ascribed his death to his consumption of ‘literary offal’.”
Kate Summerscale, The Wicked Boy

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