dersteppenwolf
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dersteppenwolf

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The History of Jazz
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  (page 88 of 597)
Jan 16, 2025 02:55PM

 
El libro de la mú...
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  (page 30 of 352)
Mar 28, 2024 04:41AM

 
Vida y destino
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  (page 413 of 1111)
"dudo que termine este libro..." Sep 07, 2011 05:31PM

 
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Gabriel García Márquez
“-Dime, qué comemos.
El coronel necesitó setenta y cinco años -los setenta y cinco años de su vida, minuto a minuto- para llegar a ese instante. Se sintió puro, explícito, invencible, en el momento de responder:
-Mierda.”
Gabriel García Márquez, El coronel no tiene quien le escriba
tags: novel

Joshua Foer
“Bruce Miller, a neurologist at the University of California, San Francisco, studies elderly patients with a relatively common form of brain disease called frontotemporal dementia, or FTD. He’s found that in some cases where the FTD is localized on the left side of the brain, people who had never picked up a paintbrush or an instrument can develop extraordinary artistic and musical abilities at the very end of their lives. As their other cognitive skills fade away, they become narrow savants.”
Joshua Foer, Moonwalking with Einstein: The Art and Science of Remembering Everything

Joseph Conrad
“Eran conquistadores, y eso lo único que requiere es fuerza bruta, nada de lo que pueda uno vanagloriarse cuando se posee, ya que la fuerza no es sino una casualidad nacida de la debilidad de los otros.”
Joseph Conrad, Heart of Darkness

Santiago Gamboa
“—El amor es como una borrachera. Cuando uno tiene la botella al lado se siente feliz. Pero luego se acaba, uno se duerme y al otro día se despierta con dolor. Después uno promete no volver a tomar... ¿Todavía la quiere?”
Santiago Gamboa, Perder es cuestión de método

Joshua Foer
“I don’t think I’m an exceptionally bad reader. I suspect that many people, maybe even most, are like me. We read and read and read,
and we forget and forget and forget. So why do we bother? Michel de Montaigne expressed the dilemma of extensive reading in the
sixteenth century: “I leaf through books, I do not study them,” he wrote. “What I retain of them is something I no longer recognize as anyone else’s.
It is only the material from which my judgment has profited, and the thoughts and ideas with which it has become imbued;
the author, the place, the words, and other circumstances, I immediately forget.” He goes on to explain how “to compensate a
little for the treachery and weakness of my memory,” he adopted the habit of writing in the back of every book a short critical
judgment, so as to have at least some general idea of what the tome was about and what he thought of it.  ”
Joshua Foer, Moonwalking with Einstein: The Art and Science of Remembering Everything

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