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Ship of Destiny
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by Robin Hobb (Goodreads Author)
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Soldier of the Mist
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Iain Banks
“You need to read more science fiction. Nobody who reads science fiction comes out with this crap about the end of history”
Iain Banks

George Orwell
“It was a bright cold day in April, and the clocks were striking thirteen.”
George Orwell, 1984

Elmore Leonard
“Elmore Leonard's Ten Rules of Writing

1. Never open a book with weather.
2. Avoid prologues.
3. Never use a verb other than "said" to carry dialogue.
4. Never use an adverb to modify the verb "said”…he admonished gravely.
5. Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
6. Never use the words "suddenly" or "all hell broke loose."
7. Use regional dialect, patois, sparingly.
8. Avoid detailed descriptions of characters.
9. Don't go into great detail describing places and things.
10. Try to leave out the part that readers tend to skip.

My most important rule is one that sums up the 10.

If it sounds like writing, I rewrite it.”
Elmore Leonard

Jack Vance
“Notice this rent in my garment; I am at a loss to explain its presence! I am even more puzzled by the existence of the universe.”
Jack Vance, Tales of the Dying Earth

Norman Spinrad
“Cat Rambo: Where do you think the perennial debate between what is literary fiction and what is genre is sited?

Norman Spinrad: I think it’s a load of crap. See my latest column in Asimov’s, particularly re The Road by Cormac McCarthy. I detest the whole concept of genre. A piece of fiction is either a good story well told or it isn’t. The supposed dichotomy between “literary fiction” and “popular fiction” is ridiculous. Hemingway, Fitzgerald, Mailer, did not have serious literary intent? As writers of serious literary intent, they didn’t want to be “popular,” meaning sell a lot of books? They wanted to be unpopular and have terrible sales figures to prove they were “serious”?

I say this is bullshit and I say the hell with it. “Genre,” if it means anything at all, is a restrictive commercial requirement. “Westerns” must be set in the Old West. “Mysteries” must have a detective solving a crime, usually murder. “Nurse Novels” must have a nurse. And so forth.

In the strictly literary sense, neither science fiction nor fantasy are “genres.” They are anti-genres. They can be set anywhere and anywhen except in the mimetic here and now or a real historical period. They are the liberation of fiction from the constraints of “genre” in an absolute literary sense.”
Norman Spinrad
tags: genre

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