Ines

“There’s a loss of personality; Or rather, you’ve lost touch with the person You thought you were. You no longer feel quite human. You’re suddenly reduced to the status of an object — A living object, but no longer a person. It’s always happening, because one is an object As well as a person. But we forget about it As quickly as we can. When you’ve dressed for a party And are going downstairs, with everything about you Arranged to support you in the role you have chosen, Then sometimes, when you come to the bottom step There is one step more than your feet expected And you come down with a jolt. Just for a moment You have the experience of being an object At the mercy of a malevolent staircase.”
― T.S. Eliot, The Complete Poems and Plays

“Tomino’s Hell

Elder sister vomits blood,
younger sister’s breathing fire
while sweet little Tomino
just spits up the jewels.

All alone does Tomino
go falling into that hell,
a hell of utter darkness,
without even flowers.

Is Tomino’s big sister
the one who whips him?
The purpose of the scourging
hangs dark in his mind.

Lashing and thrashing him, ah!
But never quite shattering.
One sure path to Avici,
the eternal hell.

Into that blackest of hells
guide him now, I pray—
to the golden sheep,
to the nightingale.

How much did he put
in that leather pouch
to prepare for his trek to
the eternal hell?

Spring is coming
to the valley, to the wood,
to the spiraling chasms
of the blackest hell.

The nightingale in her cage,
the sheep aboard the wagon,
and tears well up in the eyes
of sweet little Tomino.

Sing, o nightingale,
in the vast, misty forest—
he screams he only misses
his little sister.

His wailing desperation
echoes throughout hell—
a fox peony
opens its golden petals.

Down past the seven mountains
and seven rivers of hell—
the solitary journey
of sweet little Tomino.

If in this hell they be found,
may they then come to me, please,
those sharp spikes of punishment
from Needle Mountain.

Not just on some empty whim
Is flesh pierced with blood-red pins:
they serve as hellish signposts
for sweet little Tomino.

—translated by David Bowles
June 29, 2014”
― Saijo Yaso

“Have you noticed that when men want freedom, the conversation is about the nature of action, violence or non-violence? But when women want freedom, the conversation is about the nature of women, natural or unnatural?”
― Uzma Aslam Khan, The Miraculous True History of Nomi Ali

“It was while teaching at this school that Auden experienced the vision that lay at the heart of “A Summer Night.” He later wrote about it in these words: One fine summer night in June 1933 I was sitting on a lawn after dinner with three colleagues, two women and one man. We liked each other well enough but we were certainly not intimate friends, nor had any one of us a sexual interest in another. Incidentally, we had not drunk any alcohol. We were talking casually about everyday matters when, quite suddenly and unexpectedly, something happened. I felt myself invaded by a power which, though I consented to it, was irresistible and certainly not mine. For the first time in my life I knew exactly—because, thanks to the power, I was doing it—what it means to love one’s neighbour as oneself.”
― Alexander McCall Smith, What W. H. Auden Can Do for You