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We Tell Ourselves...
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"Decided to start on Joan's personal reflections which are in the middle of this book." Oct 20, 2010 05:32PM

 
The Yoga Sutras o...
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  (page 12 of 263)
Oct 13, 2010 09:47AM

 
The Wisdom in the...
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Chaim Potok
“Now I stand on the knoll before the grave of Jacob Kahn, the cypress tall against the blue morning sky and the wind warm on my face. It is the only sense left me, I hear him say. There are colors in the wind, Asher Lev. Find your demons again and return to your work. Colors wait for you in the wind. Things were too comfortable for you. An artist needs a broken world in order to have pieces to shape into art. Isn't that right, Asher Lev? Comfort is death to art. Asher Lev, artist. Asher Lev, troubler. Asher Lev, my future. His voice weaves through the wind, and I add to it the words of the psalmist, " 'Protect me, O God, for I seek refuge in You. I say to the Lord, Your are my benefactor; there is no one above You....' " The wind is red and black in the trembling cypress.”
Chaim Potok, The Gift of Asher Lev

Joan Didion
“I just can't see the upside in this," I heard myself say by way of explanation.

Later he said that if John had been sitting in the office he would have found this funny, as he himself had found it. "Of course I knew what you meant to say, and John would have known too, you meant to say you couldn't see the light at the end of the tunnel."

I agreed, but this was not in fact the case.

I had meant pretty much exactly what I said: I couldn't see the upside in this.

As I thought about the difference between the two sentences I realized that my impression of myself had been of someone who could look for, and find, the upside in any situation. I had believed in the logic of popular songs. I had looked for the silver lining. I had walked on through the storm. It occurs to me now that these were not even the songs of my generation. They were the songs, and the logic, of the generation or two that preceded my own. The score for my generation was Les Paul and Mary Ford, "How High the Moon," a different logic altogether. It also occurs to me, not an original thought but novel to me, that the logic of those earlier songs was based on self-pity. The singer of the song about looking for the silver lining believes that clouds have come her way. The singer of the song about walking on through the storm assumes that the storm could otherwise take her down.”
Joan Didion, The Year of Magical Thinking

Chaim Potok
“Human beings do not live forever, Reuven. We live less than the time it takes to blink an eye, if we measure our lives against eternity. So it may be asked what value is there to a human life. There is so much pain in the world. What does it mean to have to suffer so much if our lives are nothing more than the blink of an eye?

I learned a long time ago, Reuven, that a blink of an eye in itself is nothing. But the eye that blinks, that is something. A span of life is nothing. But the man who lives that span, he is something. He can fill that tiny span with meaning, so its quality is immeasurable though its quantity may be insignificant. Do you understand what I am saying? A man must fill his life with meaning, meaning is not automatically given to life.

It is hard work to fill one's life with meaning. That I do not think you understand yet. A life filled with meaning is worthy of rest. I want to be worthy of rest when I am no longer here.”
Chaim Potok, The Chosen

Joan Didion
“To free us from the expectations of others, to give us back to ourselves--there lies the great, singular power of self-respect.”
Joan Didion

Joan Didion
“Read, learn, work it up, go to the literature.

Information is control.”
Joan Didion, The Year of Magical Thinking

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