Jaria

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David Benioff
“I'll tell you a secret.
Something they don't teach you in your temple.
The Gods envy us.
They envy us because we're mortal, because any moment might be our last. Everything is more beautiful because we're doomed.
You will never be lovelier than you are now.
We will never be here again.”
David Benioff

Nenia Campbell
“The villains were always ugly in books and movies. Necessarily so, it seemed. Because if they were attractive—if their looks matched their charm and their cunning—they wouldn't only be dangerous.

They would be irresistible.”
Nenia Campbell, Horrorscape

Amerie
“Villains, the deliciously wicked. We love to hate them and they hate to be loved, if only because being hated frees them from having to be good.”
Ameriie, Because You Love to Hate Me: 13 Tales of Villainy

Neil Gaiman
“I liked myths. They weren't adult stories and they weren't children's stories. They were better than that. They just were.”
Neil Gaiman, The Ocean at the End of the Lane

Richard Siken
“Personally, I’m a mess of conflicting impulses—I’m independent and greedy and I also want to belong and share and be a part of the whole. I doubt that I’m the only one who feels this way. It’s the core of monster making, actually. Wanna make a monster? Take the parts of yourself that make you uncomfortable—your weaknesses, bad thoughts, vanities, and hungers—and pretend they’re across the room. It’s too ugly to be human. It’s too ugly to be you. Children are afraid of the dark because they have nothing real to work with. Adults are afraid of themselves.
Oh we’re a mess, poor humans, poor flesh—hybrids of angels and animals, dolls with diamonds stuffed inside them. We’ve been to the moon and we’re still fighting over Jerusalem. Let me tell you what I do know: I am more than one thing, and not all of those things are good. The truth is complicated. It’s two-toned, multi-vocal, bittersweet. I used to think that if I dug deep enough to discover something sad and ugly, I’d know it was something true. Now I’m trying to dig deeper.”
Richard Siken

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