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Vicky Alvear Shecter

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Vicky Alvear Shecter

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Born
in Miami, FL, The United States
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Member Since
April 2008

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Vicky Alvear Shecter/Victoria Alvear writes about the ancient world and the often disturbing parallels with today's political unrest and misogynistic backlash. She writes as Victoria Alvear for adults. Her latest book is THE CLEANSING, based on the true story of an ancient Roman Vestal Virgin falsely accused of having sex and fighting in court to keep from being buried alive for her so-called "crime." Midwest Book Reviews called the book, "Original, exceptional, deftly crafted and a simply riveting read from cover to cover."

For nearly twenty years, she has served as a docent at the Michael C. Carlos Museum of Antiquities at Emory University, where she regularly engages the public on the fascinating aspects of ancient life and politics.
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Vicky Alvear Shecter Hi WittySofa! (Great name)

I'm so glad you've enjoyed my books! Your question is an important one and I think all historical fiction writers struggle w…more
Hi WittySofa! (Great name)

I'm so glad you've enjoyed my books! Your question is an important one and I think all historical fiction writers struggle with this. After all, we wouldn't write about other time periods if we weren't completely enthralled with them and all their strange, delicious details!

Here's one rule: If the detail would not be of interest to or new to your character, don't include it. That sounds simple on the surface, but it's not. For example, if your character is a builder or an architect, then he might very well ruminate about how houses are built or notice architectural elements. But if he or she isn't, then you can't remark on it or include details about it because those little details are likely invisible to him or her. I know--ouch!

If you've read Robert Harris's POMPEII, then you know that the main character spends A LOT (some say too much) time thinking about pipes and wells and aquafers--but we forgive him because he is a water engineer. As an aquarius, that's his job, so he's allowed to be a "nerd" about it--in fact, it's expected!

Clearly Harris was fascinated by Rome's aqueducts, so he conveniently made his MC an expert so he could indulge in sharing some of the fascinating facts. So that's one solution--if you are fascinated by something, make your main character someone who does that work. That's a little more difficult if your character is a woman since women were forbidden from so much in the Roman world, but there are ways around that. For example, if you are fascinated by the painters of frescoes and your character is a girl, make her father or brother a fresco painter, giving her the opportunity to tag along to sites and learn the craft. Maybe she becomes a great master but has to pretend a male relative is doing the work and shenanigans ensue (I would read that!).

Another thing to remember is that most of what we find extraordinary would be absolutely ordinary to them. So while we may be shocked about public latrines where everyone "shares a bench," your character wouldn't think twice about it! You can draw attention to such fascinating details by making something unusual happen--such as someone runs out with the sponge-on-a-stick they use to wipe themselves with. Then your character would notice! But again, if it isn't somehow related to the main story, you're going to have to cut it.

One last example. When I was researching for my novel set in Pompeii, I was tickled/horrified to learn that there were many graffiti and official signs warning the locals to "not defecate here." Who knew public defecation was a problem? That detail cracked me up, but I couldn't make a big deal of it, not only because apparently it was common place, but also, it would set up the reader to worry about or look for a scene where she might step in it. I did manage to sneak in a mention, though, when she was hurrying through the city as she reminded herself to watch where she stepped. But overall, unless a detail plays a part in the growth of the character or the advancement of the plot, you've got to avoid it.

I hope this helps!(less)
Vicky Alvear Shecter Hello again, WittySofa! I wish Lucia's and Tag's story were on the silver screen but no takers. Unfortunately, the movie POMPEII, starting Kit Harring…moreHello again, WittySofa! I wish Lucia's and Tag's story were on the silver screen but no takers. Unfortunately, the movie POMPEII, starting Kit Harrington's abs (lol), was panned and didn't make any money so I'm guessing no one is interested in trying to make another expensive period piece.

I am working on another Classical historical fiction but it's super-secret because if I talk about it before I'm finished, I'll end up ruining it for myself. Also, right now, it's hard to sell a classical book because historical fiction books these days tend to concentrate on WWII.

I hope you enjoy Robert Harris's POMPEII. I love that book! Thanks for writing!

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More books by Vicky Alvear Shecter…

My Book is Out! Thanks to Friends and Readers Who Helped Me Celebrate!

Writers are introverts by nature, and it’s often hard for us to “get out there” and crow about our own work. That’s why I’m so grateful for my book club friends–without them, I would not have hosted a book launch event. But thanks to their insistence that the event should be celebrated, we had a party!

The book launch for The Cleansing was held at Tall Tales Books in Atlanta. My friends, man

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Published on January 24, 2026 09:44
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Ox Herding by Jackie Griffiths
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This was such an interesting read! It's spiritual but not religious. It reminds me of the work of Britt Hartley of No Nonsense Spirituality (a web presence and books), who explores what spirituality looks like deconstructed from high-control religiou ...more
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Symphony of Solitude by Raphaël Zéla
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I'm conflicted about this book. The writing is excellent and the pace certainly captures a deep sense of alienation and loss. But I also felt frustrated. I wanted to yell at the characters, "Just talk to each other!" So much pain could have been avoi ...more
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They Are Waiting by Saarth Agrawal
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I thought the concept was really good but it felt more like an outline than a full-fleshed out story. I would have liked the author to spend more time inside the main characters head instead of telling us what he heard or saw. However, the bones of t ...more
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Temporary Holding by Matt Brandstein
Temporary Holding
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This book was excellently written. It really captured--in a heartbreaking way--the slow descent of a lonely, disassociated young man whom you can't help but root for. It's interesting to note that nowhere in the description of the book is it pointed ...more
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Great Joys, Great Sorrows by Michael M. Meguid
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The author is a terrific writer and gives great insight into what medicine in the U.S. was like decades ago, especially for an immigrant. I found the chapters on the medical practices the most interesting, specifically as he championed techniques tha ...more
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Heracles by Kin
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A dark reimagining of the tale of the Nemean Lion. It's brutal, bloody and compelling. We do not enter Heracles' inner world, but we experience his fierceness and concentrated purpose. The writing is sparse but intense and relentless. If you want the ...more
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Quotes by Vicky Alvear Shecter  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“You must make a choice,” the Goddess said.

“Is that my only choice – to choose between men?” I asked. “I want what Mother had!”

“Your mother chose two men,” she said with light laughter.

“No! She chose independence for her country. She chose power and freedom,” I yelled.

Almost as if in response, a pulsating energy moved up from the ground into my bare feet. It thrummed up my body and radiated out in a bright light, first from my toes, then from my fingertips, then the top of my head.

“I choose power,” I said. “I choose freedom.”
Vicky Alvear Shecter, Cleopatra's Moon

“I especially treasured my glimpses of Mother, Queen Cleopatra VII. She sat on a golden throne, looking as resplendent as one of the giant marble statues guarding the tombs of the Old Ones. Diamonds twinkled in a jungle of black braids on her ceremonial wig. She wore a diadem with three rearing snakes and a golden broad collar, shining with lapis lazuli, carnelian, and emeralds, over her golden, form-fitting pleated gown. In one hand, she held a golden ankh of life, while the other clasped the striped crook and flail of her divine rulership. Her stillness radiated power, like a lioness pausing before the pounce. It left me breathless with awe.”
Vicky Alvear Shecter, Cleopatra's Moon

“I groaned inwardly, hating how men blamed their own lusts on women’s “magic.”
Vicky Alvear Shecter, Cleopatra's Moon

Topics Mentioning This Author

“The writer Umberto Eco belongs to that small class of scholars who are encyclopedic, insightful, and nondull. He is the owner of a large personal library (containing thirty thousand books), and separates visitors into two categories: those who react with “Wow! Signore, professore dottore Eco, what a library you have ! How many of these books have you read?” and the others - a very small minority - who get the point that a private library is not an ego-boosting appendage but a research tool. Read books are far less valuable than unread ones. The library should contain as much of what you don’t know as your financial means, mortgage rates and the currently tight real-estate market allows you to put there. You will accumulate more knowledge and more books as you grow older, and the growing number of unread books on the shelves will look at you menancingly. Indeed, the more you know, the larger the rows of unread books. Let us call this collection of unread books an antilibrary.”
Nassim Nicholas Taleb, The Black Swan: The Impact of the Highly Improbable

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Historical Fictionistas is a passionate community of readers who love exploring the past through fiction. Whether you're fascinated by ancient Rome, m ...more
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