“Cognitively, grasp of just one concept is the sound of one hand clapping.”
― Articulating Reasons: An Introduction to Inferentialism
― Articulating Reasons: An Introduction to Inferentialism
“We believe in Quine, the father of metaontology, and in his criterion of ontological commitment. Which for us ontologists and for our craft was perfectly born in On What There Is. We believe in one catholic and first-order logic. We acknowledge one method—paraphrase—for the remission of ontological sins. And when paraphrase fails, we accept without shame the entities required by our best theories. Amen.”
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“The bust of the General was unquestionably the finest bust I ever saw. For your life you could not have found a fault with its wonderful proportion. This rare peculiarity set off to great advantage a pair of shoulders which would have called up a blush of conscious inferiority into the countenance of the marble Apollo. I have a passion for fine shoulders, and may say that I never beheld them in perfection before. The arms altogether were admirably modeled. Nor were the lower limbs less superb. These were, indeed, the ne plus ultra of good legs. Every connoisseur in such matters admitted the legs to be good. There was neither too much flesh, nor too little,—neither rudeness nor fragility. I could not imagine a more graceful curve than that of the os femoris, and there was just that due gentle prominence in the rear of the fibula which goes to the conformation of a properly proportioned calf. I wish to God my young and talented friend Chiponchipino, the sculptor, had but seen the legs of Brevet Brigadier General John A. B. C. Smith.”
― The Man That Was Used Up: An Edgar Allan Poe Short Story
― The Man That Was Used Up: An Edgar Allan Poe Short Story
“With his Don Juan Mozart enters the little immortal circle of those whose names, whose works, time will not forget, because eternity remembers them. And though it is a matter of indifference, when one has found entrance there, whether one stands highest or lowest, because in a certain sense all stand equally high, since all stand infinitely high, and though it is childish to dispute over the first and the last place here, as it is when children quarrel about the order assigned to them in the church at confirmation, I am still too much of a child, or rather I am like a young girl in love with Mozart, and I must have him in first place, cost what it may. And I will appeal to the parish clerk and to the priest and to the dean and to the bishop and to the whole consistory, and I will implore and adjure them to hear my prayer, and I will invoke the whole congregation on this matter, and if they refuse to hear me, if they refuse to grant my childish wish, I excommunicate myself, and renounce all fellowship with their modes of thought; and I will form a sect which not only gives Mozart first place, but which absolutely refuses to recognize any artist other than Mozart; and I shall beg Mozart to forgive me, because his music did not inspire me to great deeds, but turned me into a fool, who lost through him the little reason I had, and spent most of my time in quiet sadness humming what I do not understand, haunting like a specter day and night what I am not permitted to enter. Immortal Mozart! Thou, to whom I owe everything; to whom I owe the loss of my reason, the wonder that caused my soul to tremble, the fear that gripped my inmost being; thou, to whom I owe it that I did not pass through life without having been stirred by something. Thou, to whom I offer thanks that I did not die without having loved, even though my love became unhappy. Is it strange then that I should be more concerned for Mozart's glorification than for the happiest moment of my life, more jealous for his immortality than for my own existence? Aye, if he were taken away, if his name were erased from the memory of men, then would the last pillar be overthrown, which for me has kept everything from being hurled together into boundless chaos, into fearful nothingness.”
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