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The Red Winter
Primo S. is currently reading
bookshelves: fantasy, currently-reading
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Why Women Have Be...
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Mark  Lawrence
“It's always the books you don't have that call to you, you know that. Not the ones on your shelf. They can wait.”
Mark Lawrence, The Book That Wouldn’t Burn

Stephen Markley
“Yeah, well, time marches on. Getting caught up in causes don’t interest me. Not anymore. Especially when you see the scope of what this is.” He took the Heinz ketchup bottle from the condiment holder. “That’s the thing: Most people don’t understand this. The ingredients, what it goes on, where the energy comes from to create it, the ways the world’s gotta be directed and coaxed and violated and controlled to get this one little fucked bottle. And once you see how ketchup relates to imperial maintenance it’s tough to not get an overwhelmed quality to your thinking. Like one of them Magic Eye thingamajobs—hard the first time, but once you get it, you’ll never unsee it.”
Stephen Markley, The Deluge

Brandon Sanderson
“Perhaps the question isn’t ‘What use is art?’ ” Wit mused. “Perhaps even that simple question misses the point. It’s like asking the use of having hands, or walking upright, or growing hair. Art is part of us, Kaladin. That’s the use; that’s the reason. It exists because on some fundamental level we need it. Art exists to be made.”
Brandon Sanderson, Wind and Truth

Amal El-Mohtar
“But that is the nature of grammar—it is always tense, like an instrument, aching for release, longing to transform present into past into future, is into was into will.”
Amal El-Mohtar, The River Has Roots

Ia Genberg
“That's all there is to the self, or the so-called 'self': traces of the people we rub up against. I loved Joanna's words and gestures and let them become part of me, intentionally or not. I suppose that is at the core of every relationship and the reason that in some sense no relationship ever ends.”
Ia Genberg, Detaljerna

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