Norman Cohen

“The pull of fascist politics is powerful. It simplifies human existence, gives us an object, a “them” whose supposed laziness highlights our own virtue and discipline, encourages us to identify with a forceful leader who helps us make sense of the world, whose bluntness regarding the “undeserving” people in the world is refreshing. If democracy looks like a successful business, if the CEO is tough-talking and cares little for democratic institutions, even denigrates them, so much the better. Fascist politics preys on the human frailty that makes our own suffering seem bearable if we know that those we look down upon are being made to suffer more. Navigating the tensions created by living in a state with a democratic sphere of governance, a nondemocratic hierarchical economic sphere, and a rich, complex civil society replete with organizations, associations, and community groups adhering to multiple visions of a good life can be frustrating. Democratic citizenship requires a degree of empathy, insight, and kindness that demands a great deal of all of us. There are easier ways to live.”
― Jason F. Stanley, How Fascism Works: The Politics of Us and Them

“Beauvoir seemed more sensitive than Sartre was to these subtle interzones in human life. The Second Sex was almost entirely occupied with the complex territory where free choice, biology and social and cultural factors meet and mingle to create a human being who gradually becomes set in her ways as life goes on. Moreover, she had explored this territory more directly in a short treatise of 1947, The Ethics of Ambiguity. There, she argued that the question of the relationship between our physical constraints and the assertion of our freedom is not a ‘problem’ requiring a solution. It is simply the way human beings are. Our condition is to be ambiguous to the core, and our task is to learn to manage the movement and uncertainty in our existence, not to banish it. She hastens to add that she does not believe we should therefore give up and fall back on a bland Sisyphus-like affirmation of cosmic flux and fate. The ambiguous human condition means tirelessly trying to take control of things. We have to do two near-impossible things at once: understand ourselves as limited by circumstances, and yet continue to pursue our projects as though we are truly in control. In Beauvoir’s view, existentialism is the philosophy that best enables us to do this, because it concerns itself so deeply with both freedom and contingency. It acknowledges the radical and terrifying scope of our freedom in life, but also the concrete influences that other philosophies tend to ignore: history, the body, social relationships and the environment.”
― Sarah Bakewell, At the Existentialist Café: Freedom, Being, and Apricot Cocktails with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Others

“In his Preface to the first edition of Peau noire, masques blancs Francis Jeanson tells how one day he wrote to Fanon asking for clarification of a particularly obscure passage in the book. An answer was duly furnished and Fanon added: "This passage is inexplicable. When I write such things I seek to touch my reader in his emotions, i.e., irrationally, almost sensually." Further on in his letter Fanon goes on to confess how he is drawn to the magic of words and that for him language is the ultimate refuge, once it is freed from conventions, from its voice of reason and the terror of coming face-to-face with oneself. "Words for me have a powerful effect. I feel it impossible to escape from the sting of a word or the vertigo of a question mark." He went on to say that, like Césaire, he wanted to sink beneath the stupefying lava of words that have the color of quivering flesh.”
― Frantz Fanon, The Wretched of the Earth

“A poor man in this world can be done to death in two main ways, by the absolute indifference of his fellows in peacetime or by their homicidal mania when there’s a war. When other people start thinking about you, it’s to figure out how to torture you, that and nothing else. The bastards want to see you bleeding, otherwise they’re not interested! Princhard was dead right. In the shadow of the slaughterhouse, you don’t speculate very much about your future, you think about loving in the days you have left, because there’s no other way of forgetting your body that’s about to be skinned alive.”
― Louis-Ferdinand Céline, Journey to the End of the Night