Alexander Weber

“The impulse behind purple prose, he wrote, “is to make everything larger than life, almost to overrespond, maybe because, habituated to life written down, in both senses, we become inured and have to be awakened by something intolerably vivid.”
― Paul West

“I want
To do with you what spring does with the cherry trees.”
― Pablo Neruda, Twenty Love Poems and a Song of Despair

“In every community there is a class of people profoundly dangerous to the rest. I don't mean the criminals. For them we have punitive sanctions. I mean the leaders. Invariably the most dangerous people seek the power. While in the parlors of indignation the right-thinking citizen brings his heart to a boil. (p. 51)”
― Saul Bellow, Herzog

“She watches the wipers wagging back and forth. “A better explanation,” she says, “is that I have not told you why, or dare not tell you. When I think of the words, they seem so outrageous that they are best spoken into a pillow or into a hole in the ground, like King Midas.”

“I don’t follow. What is it you can’t say?”

“It’s that I no longer know where I am. I seem to move around perfectly easily among people, to have perfectly normal relations with them. Is it possible, I ask myself, that all of them are participants in a crime of stupefying proportions? Am I fantasizing it all? I must be mad! Yet every day I see the evidences. The very people I suspect produce the evidence, exhibit it, offer it to me. Corpses. Fragments of corpses that they have bought for money.

“It is as if I were to visit friends, and to make some polite remark about the lamp in their living-room, and they were to say, ‘Yes, it’s nice, isn’t it? Polish-Jewish skin it’s made of, we find that’s best, the skins of young Polish-Jewish virgins.’ And then I go to the bathroom and the soap-wrapper says, ‘Treblinka — lOO% human stearate.’ Am I dreaming, I say to myself? What kind of house is this?

“Yet I’m not dreaming. I look into your eyes, into Norma’s [his wife], into the children’s, and I see only kindness, human-kindness. Calm down, I tell myself, you are making a mountain out of a molehill. This is life. Everyone else comes to terms with it, why can’t you? Why can’t you?”

She turns on him a tearful face. What does she want, he thinks? Does she want me to answer her question for her?

They are not yet on the expressway. He pulls the car over, switches off the engine, takes his mother in his arms. He inhales the smell of cold cream, of old flesh. “There, there,” he whispers in her ear. “There, there. It will soon be over.”
― J.M. Coetzee