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“I want to leave
no one behind.
To keep&
be kept.
The way a field turns
its secrets
into peonies.
The way light
keeps its shadow
by swallowing it.”
― Night Sky with Exit Wounds
no one behind.
To keep&
be kept.
The way a field turns
its secrets
into peonies.
The way light
keeps its shadow
by swallowing it.”
― Night Sky with Exit Wounds
“The Buried Melancholy of the Poet"
One summer when he was still young he stood at the window and wondered where they had gone, those women who sat by the ocean, watching, waiting for something that would never arrive, the wind light against their skin, sending loose strands of hair across their lips. From what season had they fallen, from what idea of grace had they strayed? It was long since he had seen them in their lonely splendor, heavy in their idleness, enacting the sad story of hope abandoned. This was the summer he wandered out into the miraculous night, into the sea of dark, as if for the first time, to shed his own light, but what he shed was the dark, what he found was the night.”
― Almost Invisible: Poems
One summer when he was still young he stood at the window and wondered where they had gone, those women who sat by the ocean, watching, waiting for something that would never arrive, the wind light against their skin, sending loose strands of hair across their lips. From what season had they fallen, from what idea of grace had they strayed? It was long since he had seen them in their lonely splendor, heavy in their idleness, enacting the sad story of hope abandoned. This was the summer he wandered out into the miraculous night, into the sea of dark, as if for the first time, to shed his own light, but what he shed was the dark, what he found was the night.”
― Almost Invisible: Poems
“Stop and consider! life is but a day;
A fragile dewdrop on its perilous way
From a tree's summit; a poor Indian's sleep
While his boat hastens to the monstrous steep
Of Montmorenci. Why so sad a moan?
Life is the rose's hope while yet unblown;
The reading of an ever-changing tale;
The light uplifting of a maiden's veil;
A pigeon tumbling in clear summer air;
A laughing schoolboy, without grief or care,
Riding the springy branches of an elm.”
― Bright Star: Love Letters and Poems of John Keats to Fanny Brawne
A fragile dewdrop on its perilous way
From a tree's summit; a poor Indian's sleep
While his boat hastens to the monstrous steep
Of Montmorenci. Why so sad a moan?
Life is the rose's hope while yet unblown;
The reading of an ever-changing tale;
The light uplifting of a maiden's veil;
A pigeon tumbling in clear summer air;
A laughing schoolboy, without grief or care,
Riding the springy branches of an elm.”
― Bright Star: Love Letters and Poems of John Keats to Fanny Brawne
“Maybe in the next life we'll meet each other for the first time- believing in everything but the harm we're capable of. Maybe we'll be the opposite of buffaloes. We'll grow wings and spill over the cliff as a generation of monarchs, heading home. Green Apple.
Like snow covering the particulars of the city, they will say we never happened, that our survival was a myth. But they're wrong. You and I, we were real. We laughed knowing joy would tear the stitches from our lips.
Remember: The rules, like streets, can only take you to known places. Underneath the grid is a field- it was always there- where to be lost is never to be wrong, but simply more.
As a rule, be more.
As a rule, I miss you.
As a rule,"little" is always smaller than "small". Don't ask me why.
I'm sorry I don't call enough.
Green Apple.
I'm sorry I keep saying How are you? when I really mean Are you happy?”
― On Earth We're Briefly Gorgeous
Like snow covering the particulars of the city, they will say we never happened, that our survival was a myth. But they're wrong. You and I, we were real. We laughed knowing joy would tear the stitches from our lips.
Remember: The rules, like streets, can only take you to known places. Underneath the grid is a field- it was always there- where to be lost is never to be wrong, but simply more.
As a rule, be more.
As a rule, I miss you.
As a rule,"little" is always smaller than "small". Don't ask me why.
I'm sorry I don't call enough.
Green Apple.
I'm sorry I keep saying How are you? when I really mean Are you happy?”
― On Earth We're Briefly Gorgeous
“To Himself"
So you've come to me now without knowing why;
Nor why you sit in the ruby plush of an ugly chair, the sly
Revealing angle of light turning your hair a silver gray;
Nor why you have chosen this moment to set the writing of years
Against the writing of nothing; you who narrowed your eyes,
Peering into the polished air of the hallway mirror, and said
You were mine, all mine; who begged me to write, but always
Of course to you, without ever saying what it was for;
Who used to whisper in my ear only the things
You wanted to hear; who comes to me now and says
That it's late, that the trees are bending under the wind,
That night will fall; as if there were something
You wanted to know, but for years had forgotten to ask,
Something to do with sunlight slanting over a table
And chair, an arm rising, a face turning, and far
In the distance a car disappearing over the hill.
Mark Strand, Collected Poems. (Knopf; First Edition edition September 30, 2014)”
― Collected Poems
So you've come to me now without knowing why;
Nor why you sit in the ruby plush of an ugly chair, the sly
Revealing angle of light turning your hair a silver gray;
Nor why you have chosen this moment to set the writing of years
Against the writing of nothing; you who narrowed your eyes,
Peering into the polished air of the hallway mirror, and said
You were mine, all mine; who begged me to write, but always
Of course to you, without ever saying what it was for;
Who used to whisper in my ear only the things
You wanted to hear; who comes to me now and says
That it's late, that the trees are bending under the wind,
That night will fall; as if there were something
You wanted to know, but for years had forgotten to ask,
Something to do with sunlight slanting over a table
And chair, an arm rising, a face turning, and far
In the distance a car disappearing over the hill.
Mark Strand, Collected Poems. (Knopf; First Edition edition September 30, 2014)”
― Collected Poems
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