Colleen Rose

“One night, alone in her Dogtown bed, Judy finally admitted to herself that she had been in love with Cornelius. "In love" precisely as it was described in the novels and poems she had read with Martha; love as a kind of sweet madness that colored everything. Judy had been shocked that strangers across the ocean could describe the workings of her Yankee heart: the preoccupation and yearning, the soaring happiness and keen appreciation of a man's hidden qualities, the sublime meeting of souls. And yet, there was never a mention of the sort of union she'd shared with Cornelius, the longing and fulfillment of the flesh, that could transform two bodies into one.”
― Anita Diamant, The Last Days of Dogtown

“You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book… or you take a trip… and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death. Some never awaken.”
― Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

“Wherever you walk, I go with you. Selah.”
― Anita Diamant, The Red Tent

“I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger as reason. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.”
― Anais Nin