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J.D. Salinger
“When I take my hand out of this blanket," he thought, "my nail will be grown back, my hands will be clean. My body will be clean. I'll have on clean shorts, clean undershirt, a white shirt. A blue polka-dot tie. A gray suit with a stripe, and I'll be home, and I'll bolt the door. I'll put some coffee on the stove, some records on the phonograph, and I'll bolt the door. I'll read my books and I'll drink coffee and I'll listen to music, and I'll bolt the door. I'll open the window, I'll let in a nice, quiet girl--not Frances, not anyone I've ever known--and I'll bolt the door. I'll ask her to read some Emily Dickinson to me--that one about being chartless--and I'll ask her to read some William Blake to me--that one about the little lamb that made thee--and I'll bolt the door. She'll have an American voice, and she won't ask me if I have any chewing gum or bonbons, and I'll bolt the door.”
J.D. Salinger, A Boy in France
tags: war

J.D. Salinger
“Think about this truck. Make believe this is not the darkest, wettest, most miserable Army truck you have ever ridden in. This truck, you've got to tell yourself, is full of roses and blondes and vitamins. This here is a real pretty truck. This is a swell truck. You were lucky to get this job tonight. When you get back from the dance...Choose yo' pahtnuhs, folks!... you can write an immortal poem about this truck. This truck is a potential poem. You can call it, "Trucks I Have Rode In", or "War and Peace", or "This Sandwich Has No Mayonnaise." Keep it simple.”
J.D. Salinger, This Sandwich Has No Mayonnaise

Jack Kerouac
“In 1941 I was the star in one of the filthiest dramas of all time. I was a seaman, and went to the Imperial Cafe on Scollay Square in Boston to drink; I drank sixty glasses of beer and retired to the toilet, where I wrapped myself around the toilet bowl and went to sleep. During the night at least a hundred seaman and assorted civillians came in and cast their sentient debouchments on me till I was unrecognizably caked. What difference does it make after all? - anonymity in the world of men is better than fame in heaven, for what's heaven? what's earth? All in the mind.”
Jack Kerouac, On the Road

George Herbert
“O who will show me those delights on high?
Echo. I.
Thou Echo, thou art mortall, all men know.
Echo. No.
Wert thou not born among the trees and leaves?
Echo. Leaves.
And are there any leaves, that still abide?
Echo. Bide.
What leaves are they? impart the matter wholly.
Echo. Holy.
Are holy leaves the Echo then of blisse?
Echo. Yes.
Then tell me, what is that supreme delight?
Echo. Light.
Light to the minde : what shall the will enjoy?
Echo. Joy.
But are there cares and businesse with the pleasure?
Echo. Leisure.
Light, joy, and leisure ; but shall they persever?
Echo. Ever.”
George Herbert, The Temple: The Poetry of George Herbert

Gus Van Sant
“Moving provides meaning for our humble (if still vicious) life of four-dimensional existence. Four-dimensional existence makes the frightening fox hunt into an entertainment, or war into a pastime or a sport. Even when evil is dull and monotonous, there tends to be a lot of movement, action and entertainment involved.
Maybe movies are evil.”
Gus Van Sant, Pink

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