Olga

“One morning, on my way to a lecture on Balzac, it came to me with great clarity that there was no way that that guy, the professor, was going to tell me anything useful. No doubt he knew many useful things, but he wasn’t going to say them; rather, he was going to tell us again that Balzac’s Paris was extremely comprehensive. I went instead to the undergraduate library, to the basement where government documents were stored.”
― Elif Batuman, The Idiot

“Afterward I lay on my side with A Critique of Postcolonial Reason propped half-open on the pillow beside me. Occasionally I lifted a finger to turn the page and allowed the heavy and confusing syntax to drift down through my eyes and into my brain like fluid. I'm bettering myself, I thought. I'm going to become so smart that no one will understand me.”
― Sally Rooney, Conversations with Friends

“The ferry back to Budapest was full of reveling women in their fifties. Elbows linked, they danced, stomped, sang, and coughed. In the bar, they banged bottles against the counter. The few men in their party were slumped at the tables, heads buried in their arms. Only two were sitting upright, addressing a salami of durable appearance with a pocketknife.”
― Elif Batuman, The Idiot

“There was a poem with that mood by Pasternak: “Don’t sleep, don’t sleep, artist.” It sounded better in Russian, because the word for “artist” had three syllables, it was an amphibrach, like “spaghetti,” or “appendix.” Don’t sleep, don’t sleep, gorilla, I thought as I went down the elevator to the subway platform.”
― Elif Batuman, The Idiot