Caroline

“And what are you that, missing you,
I should be kept awake
As many nights as there are days
With weeping for your sake?

And what are you that, missing you,
As many days as crawl
I should be listening to the wind
And looking at the wall?

I know a man that’s a braver man
And twenty men as kind,
And what are you, that you should be
The one man in my mind?

Yet women’s ways are witless ways,
As any sage will tell,—
And what am I, that I should love
So wisely and so well?”
― Edna St. Vincent Millay

“somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands”
― E.E. Cummings, Selected Poems

“You know the days when you get the mean reds?
Paul Varjak: The mean reds. You mean like the blues?
Holly Golightly: No. The blues are because you’re getting fat, and maybe it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid, and you don’t know what you’re afraid of. Do you ever get that feeling?”
― Truman Capote, Breakfast at Tiffany’s and Three Stories

“Eliza—” I said, “so many of the books I’ve read to you said love was the most important thing of all. Maybe I should tell you that I love you now.”
“Go ahead,” she said.
“I love you, Eliza,” I said.
She thought about it. “No,” she said at last, “I don’t like it.”
“Why not?” I said.
”It’s as though you were pointing a gun at my head,” she said. “It’s just a
way of getting somebody to say something they probably don’t mean. What
else can I say, or anybody say, but, ‘I love you, too’?”
― Kurt Vonnegut