“What of Art?
-It is a malady.
--Love?
-An Illusion.
--Religion?
-The fashionable substitute for Belief.
--You are a sceptic.
-Never! Scepticism is the beginning of Faith.
--What are you?
-To define is to limit.”
― The Picture of Dorian Gray
-It is a malady.
--Love?
-An Illusion.
--Religion?
-The fashionable substitute for Belief.
--You are a sceptic.
-Never! Scepticism is the beginning of Faith.
--What are you?
-To define is to limit.”
― The Picture of Dorian Gray
“When you say, “It is impossible to do what is required of me,” this is a temptation to despair. Despair of yourself as much as you please, but not of God.”
― The Complete Fenelon
― The Complete Fenelon
“The chief thing is not to listen to yourself, but silently to give ear to God. It is to renounce all vanity, and apply yourself to real virtue. Talk little, and do much without caring to be seen. God will teach you more than all the most experienced persons or the most spiritual books can do. What is it you want so much to know? What do you need to learn but to be poor in spirit and to find all wisdom in Christ crucified? “Knowledge puffs up.” Only “love builds up.”5 Be content to aim at charity.”
― The Complete Fenelon
― The Complete Fenelon
“Dark Night of the Soul
On a dark night,
Kindled in love with yearnings
—oh, happy chance!—
I went forth without being observed,
My house being now at rest.
In darkness and secure,
By the secret ladder, disguised
—oh, happy chance!—
In darkness and in concealment,
My house being now at rest.
In the happy night,
In secret, when none saw me,
Nor I beheld aught,
Without light or guide,
save that which burned in my heart.
This light guided me
More surely than the light of noonday
To the place where he (well I knew who!)
was awaiting me—
A place where none appeared.
Oh, night that guided me,
Oh, night more lovely than the dawn,
Oh, night that joined
Beloved with lover,
Lover transformed in the Beloved!
Upon my flowery breast,
Kept wholly for himself alone,
There he stayed sleeping,
and I caressed him,
And the fanning of the cedars made a breeze.
The breeze blew from the turret
As I parted his locks;
With his gentle hand
he wounded my neck
And caused all my senses to be suspended.
I remained, lost in oblivion;
My face I reclined on the Beloved.
All ceased and I abandoned myself,
Leaving my cares
forgotten among the lilies.”
―
On a dark night,
Kindled in love with yearnings
—oh, happy chance!—
I went forth without being observed,
My house being now at rest.
In darkness and secure,
By the secret ladder, disguised
—oh, happy chance!—
In darkness and in concealment,
My house being now at rest.
In the happy night,
In secret, when none saw me,
Nor I beheld aught,
Without light or guide,
save that which burned in my heart.
This light guided me
More surely than the light of noonday
To the place where he (well I knew who!)
was awaiting me—
A place where none appeared.
Oh, night that guided me,
Oh, night more lovely than the dawn,
Oh, night that joined
Beloved with lover,
Lover transformed in the Beloved!
Upon my flowery breast,
Kept wholly for himself alone,
There he stayed sleeping,
and I caressed him,
And the fanning of the cedars made a breeze.
The breeze blew from the turret
As I parted his locks;
With his gentle hand
he wounded my neck
And caused all my senses to be suspended.
I remained, lost in oblivion;
My face I reclined on the Beloved.
All ceased and I abandoned myself,
Leaving my cares
forgotten among the lilies.”
―
Reed’s 2024 Year in Books
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