“As ilhas são lugares de solidão e nunca isso é tão nítido como quando partem os que apenas vieram de passagem e ficam no cais, a despedir-se, os que vão permanecer. Na hora da despedida, é quase sempre mais triste ficar do que partir e, numa ilha, isso marca uma diferença fundamental, como se houvesse duas espécies de seres humanos: os que vivem na ilha e os que chegam e partem.”
― Equador
― Equador
“Well Pip," said Joe, "be it so or be it son't, you must be a common scholar afore you can be a oncommon one, I should hope! The king upon his throne, with his crown upon his 'ed, can't sit and write his acts of Parliament in print, without having begun, when he were a unpromoted Prince, with the alphabet - Ah!" added Joe, with a shake of the head that was full of meaning, "and begun at A too, and worked his way to Z. And I know what that is to do, though I can't say I've exactly done it.”
― Great Expectations
― Great Expectations
“Well, Pip,’ said Joe, ‘be it so or be it son’t, you must be a scholar afore you can be a oncommon one, I should hope! The king upon his throne, with his crown upon his ed, can’t sit and write his acts of Parliament in print, without having begun, when he were a unpromoted Prince, with the alphabet – Ah!’ added Joe, with a shake of the head that was full of meaning. ‘and begun at A too, and worked his way to Z. And I know what that is to do, though I can’t say I’ve exactly done it.’
There was some hope in this piece of wisdom, and it rather encouraged me.
‘Whether common ones as to callings and earnings,’ pursued Joe reflectively, ‘mightn’t be the better of continuing for to keep company with common ones, instead of going out to play with oncommon ones – which reminds me to hope there were a flag, perhaps?’
‘No, Joe.’
‘(I’m sorry there weren’t a flag, Pip.) Whether that might be or mightn’t be, is a thing as can’t be looked into now, without putting your sister on the Rampage; and that’s a thing not to be thought of, as being done intentional. Lookee here, Pip, at what is said to you by a true friend. Which this to you the true friend say. If you can’t get to be oncommon through going straight, you’ll never get to do it through going crooked. So don’t tell no more on ‘em, Pip, and live well and die happy.’
Chapter 9”
― Great Expectations
There was some hope in this piece of wisdom, and it rather encouraged me.
‘Whether common ones as to callings and earnings,’ pursued Joe reflectively, ‘mightn’t be the better of continuing for to keep company with common ones, instead of going out to play with oncommon ones – which reminds me to hope there were a flag, perhaps?’
‘No, Joe.’
‘(I’m sorry there weren’t a flag, Pip.) Whether that might be or mightn’t be, is a thing as can’t be looked into now, without putting your sister on the Rampage; and that’s a thing not to be thought of, as being done intentional. Lookee here, Pip, at what is said to you by a true friend. Which this to you the true friend say. If you can’t get to be oncommon through going straight, you’ll never get to do it through going crooked. So don’t tell no more on ‘em, Pip, and live well and die happy.’
Chapter 9”
― Great Expectations
“- Monsieur me prépare le plus triste avenir; que deviendrai-je quand je n'aurai plus rien à dire?
- Tu recommenceras.
- Jacques, recommencer! Le contraire est écrit là-haut; et s'il m'arrivait de recommencer, je ne pourrais m'empêcher de m'écrier: "Ah! si ton grand-père t’entendait!..." et je regretterais le bâillon.”
― Jacques le Fataliste et son maître - Volume 1 of 2
- Tu recommenceras.
- Jacques, recommencer! Le contraire est écrit là-haut; et s'il m'arrivait de recommencer, je ne pourrais m'empêcher de m'écrier: "Ah! si ton grand-père t’entendait!..." et je regretterais le bâillon.”
― Jacques le Fataliste et son maître - Volume 1 of 2
“Igual que la ya vieja industria del entretenimiento necesita alimentarse del kitsch estético, que regala a quien lo consume la ilusión de estar gozando del arte auténtico sin pedirle a cambio ninguno de los esfuerzos que ese goce exige ni obligarle a que se exponga a ninguna de las aventuras intelectuales y los riesgos morales que entraña, la nueva industria de la memoria necesita alimentarse del kitsch histórico, que regala a quien lo consume la ilusión de conocer la historia real ahorrándole esfuerzos, pero sobre todo ahorrándole las ironías y contradicciones y desasosiegos y vergüenzas y espantos y naúseas y vértigos y dececpciones que ese conocimiento depara (...).”
― El impostor
― El impostor
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