Marine

“I thought I might get a cinematic love story, and I've gotten some of that. But sitting here in my parents' house, with Ava a couple feet away from me, eating chow fun and watching Melrose Place, I realize that all of the sets and the props and the performances, the scripts that take years to write; the perfect camera angles and painstaking lighting, the directors that call take after take until it turns out right, the projections on the huge theater screens - so much larger and louder than life - it's all done in hopes of portraying what I'm feeling right now. As much as I had wanted a love story out of a movie, I know now that movies can only hope to capture this kind of love.”
― Nina LaCour, Everything Leads to You

“We love films because they make us feel something. They speak to our desires, which are never small. They allow us to escape and to dream and to gaze into eyes that are impossibly beautiful and huge. They fill us with longing.
But also.
They tell us to remember; they say, how much is hurts to have your heart broken. Remember about death and suffering and the complexities of living. Remember what it is like to love someone. Remember how it is to be loved. Remember what you feel in this moment. Remember this. Remember this.”
― Nina LaCour, Everything Leads to You

“And next to it, piled lovingly, were buttons.
So many buttons.
It's the little things, I expect. Little treasures we find without knowing their origin. And they come when we least expect them. It's beautiful, when you think about it.”
― T.J. Klune, The House in the Cerulean Sea

“What Mara didn't see was that this time with Pearl was the gloaming: that space between day and night, that lowering of the sky, when the light pales to blue and everything is outlined in gold. It's the most beautiful part of the day - the golden hour, the photographer's favourite. But it can't last. To stay in the gloaming is to hold off the night. But if the night never comes, then neither can the day.”
― Kirsty Logan, The Gloaming