Bri Martinez

“They’re not hideous,” said Tessa.
Will blinked at her. “What?”
“Gideon and Gabriel,” said Tessa. “They’re really quite good-looking, not hideous at all.”
“I spoke,” said Will, in sepulchral tones, “of the pitch-black inner depths of their souls.”
Tessa snorted. “And what color do you suppose the inner depths of your soul are, Will Herondale?”
“Mauve,” said Will.”
― Cassandra Clare, Clockwork Prince

“Most people in Atlanta don't have an accent. It's pretty urban. A lot of people speak gangsta, though," I add jokingly.
"Fo' shiz," he replies in his polite English accent.
I spurt orangey-red soup across the table. St. Clair gives a surprised ha-HA kind of laugh, and I'm laughing too, the painful kind like abdominal crunches. He hands me a napkin to wipe my chin. "Fo'. Shiz." He repeats it solemnly.
Cough cough. "Please don't ever stop saying that. It's too-" I gasp. "Much."
"You oughtn't to have said that. Now I shall have to save it for special occasions."
"My birthday is in February." Cough choke wheeze. "Please don't forget.”
― Stephanie Perkins, Anna and the French Kiss

“If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.”
― Patrick Rothfuss

“Ah,” said a voice from the doorway, “having your annual ‘everyone thinks Will is a lunatic’ meeting, are you?
“It’s biannual,” said Jem. “And no, this is not that meeting.”
― Cassandra Clare, Clockwork Prince