Jordan Stephens

“By employing classical concepts of idealized beauty and changes in perspective, icons speak to us of reality transformed and transfigured, both in and through God's presence. They speak of transcendence and mystery. As iconographers, we point to a reality that we have never seen with our own eyes. In fact, all our images of God, heaven, the angels, and the saints, whether in poetry, prose, ritual, music, or icons, represent our limited attempts to speak of the unspeakable.”
― Peter Pearson, A Brush with God: An Icon Workbook

“The West, for many centuries, has been dominated by a highly rationalistic mindset that presumes to express and explain the nature of God through words. The East has only recently begun to express its understanding of God in those ways. For the most part, Eastern Christianity has always recognized that it can only say so much about God in finite, human ways before it must go silent before the mystery of the Infinite and Unspeakable. Instead of defining ultimate reality in theological concepts, the East has relied upon its artists, musicians, and poets to proclaim what can only be understood in the heart.”
― Peter Pearson, A Brush with God: An Icon Workbook

“Iconography, good iconography, strives to convey invisible reality in a visible form.”
― Peter Pearson

“It is harder in many ways to live in the middle than at the edges. Much harder to interpret as you see fit, because then you have no assurance you are doing right in the eyes of God, no confidence you will be rewarded in the afterlife”
― Camilla Gibb, Sweetness in the Belly