Nicholas Crawford
https://nicholascrawfordauthor.com/
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“You both love Tolstoy and Dostoyevsky, Hawthorne and Melville, Flaubert and Stendahl, but at that stage of your life you cannot stomach Henry James, while Gwyn argues that he is the giant of giants, the colossus who makes all other novelists look like pygmies. You are in complete harmony about the greatness of Kafka and Beckett, but when you tell her that Celine belongs in their company, she laughs at you and calls him a fascist maniac. Wallace Stevens yes, but next in line for you is William Carlos Williams, not T.S. Eliot, whose work Gwyn can recite from memory. You defend Keaton, she defends Chaplin, and while you both howl at the sight of the Marx Brothers, your much-adored W.C. Fields cannot coax a single smile from her. Truffaut at his best touches you both, but Gwyn finds Godard pretentious and you don't, and while she lauds Bergman and Antonioni as twin masters of the universe, you reluctantly tell her that you are bored by their films. No conflicts about classical music, with J.S. Bach at the top of the list, but you are becoming increasingly interested in jazz, while Gwyn still clings to the frenzy of rock and roll, which has stopped saying much of anything to you. She likes to dance, and you don't. She laughs more than you do and smokes less. She is a freer, happier person than you are, and whenever you are with her, the world seems brighter and more welcoming, a place where your sullen, introverted self can almost begin to feel at home.”
― Invisible
― Invisible
“A story? No. No stories, never again.”
― The Madness of the Day
― The Madness of the Day
“Two things of opposite natures seem to depend
On on another, as Logos depends
On Eros, day on night, the imagined
On the real. This is the origin of change.
Winter and spring, cold copulars, embrace
And forth the particulars of rapture come.
Music falls on the silence like a sense
A passion that we feel, not understand.
Morning and afternoon are clasped together
And North and South are an intrinsic couple
And sun and rain a plural, like two lovers
That walk away together as one in the greenest body.”
― The Collected Poems
On on another, as Logos depends
On Eros, day on night, the imagined
On the real. This is the origin of change.
Winter and spring, cold copulars, embrace
And forth the particulars of rapture come.
Music falls on the silence like a sense
A passion that we feel, not understand.
Morning and afternoon are clasped together
And North and South are an intrinsic couple
And sun and rain a plural, like two lovers
That walk away together as one in the greenest body.”
― The Collected Poems
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