M. Kirollos
https://www.goodreads.com/mskirollos
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read (225)
literature (87)
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culture-thought (23)
philosophy (20)
politics (17)
sociology (17)
football (15)
historical-fiction (11)
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science (9)
M. Kirollos
is currently reading
progress:
(page 135 of 320)
"‘We will gradually become indifferent to what goes on in the minds of other people when we acquire an adequate knowledge of the superficial and futile nature of their views. of the paltriness of their sentiments, of the perversity of their opinions, and of the number of their errors…,’ argued Schopenhauer, a leading model of philosophical misanthropy." — Sep 06, 2024 05:22AM
"‘We will gradually become indifferent to what goes on in the minds of other people when we acquire an adequate knowledge of the superficial and futile nature of their views. of the paltriness of their sentiments, of the perversity of their opinions, and of the number of their errors…,’ argued Schopenhauer, a leading model of philosophical misanthropy." — Sep 06, 2024 05:22AM
M. Kirollos
is currently reading
progress:
(page 10 of 272)
""La historia del fútbol es un triste viaje del placer al deber".
"The history of football is a sad journey from pleasure to duty"." — Mar 10, 2019 01:20PM
""La historia del fútbol es un triste viaje del placer al deber".
"The history of football is a sad journey from pleasure to duty"." — Mar 10, 2019 01:20PM
“البشر ينسى والأمم تنسى.
الإنسان المتحضر هو من يبقى تاريخه حياً .. الأمم المتحضرة هى التى لا تدفن تاريخها ولا تكرر مآسيها. يقول كاتب كوبى يصف حال شعبه كواحد من شعوب العالم الثالث: “نحن لا نعرف المدنية لأن التمدن هو القدرة على ربط الأشياء بعضها ببعض، دون إهمال شىء أو نسيان شىء، إننا ننسى الماضى بسهولة وننغمس كثيرا فى الحاضر”
― وقفة قبل المنحدر: من أوراق مثقف مصري
الإنسان المتحضر هو من يبقى تاريخه حياً .. الأمم المتحضرة هى التى لا تدفن تاريخها ولا تكرر مآسيها. يقول كاتب كوبى يصف حال شعبه كواحد من شعوب العالم الثالث: “نحن لا نعرف المدنية لأن التمدن هو القدرة على ربط الأشياء بعضها ببعض، دون إهمال شىء أو نسيان شىء، إننا ننسى الماضى بسهولة وننغمس كثيرا فى الحاضر”
― وقفة قبل المنحدر: من أوراق مثقف مصري
“مسئولية تغيير العالم تتحلل إلى تمرد عليه، والتمرد ينفك إلى شعور بالغربة والاغتراب، والغربة تقود إلى رصد الملل ومتابعة التكرار.”
― وقفة قبل المنحدر: من أوراق مثقف مصري
― وقفة قبل المنحدر: من أوراق مثقف مصري
“على تلك الصخور الملعونة: الحقائق. الإمكانيات والظروف، أرى كائناتى الأثيرة الوردية تتحطم فى صمت، دون دماء أو صراخ أو مآسى .. تتحطم فى صمت كأنها لم تكن.
أشاهد تحطمها: صاغرا، بليدا، متخلفا. غير قادر حتى على تحطيم سور بيتى أو تخطى حدود مدينتى.”
― وقفة قبل المنحدر: من أوراق مثقف مصري
أشاهد تحطمها: صاغرا، بليدا، متخلفا. غير قادر حتى على تحطيم سور بيتى أو تخطى حدود مدينتى.”
― وقفة قبل المنحدر: من أوراق مثقف مصري
“Heavy physical work, the care of home and children, petty quarrels with neighbors, films, football, beer, and above all, gambling filled up the horizon of their minds. To keep them in control was not difficult…. All that was required of them was a primitive patriotism which could be appealed to whenever it was necessary to make them accept longer working hours or shorter rations. And when they became discontented, as they sometimes did, their discontentment led nowhere, because being without general ideas, they could only focus it on petty specific grievances.”
― 1984
― 1984
“This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window.
It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul
"Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!"
My soul does not reply.
"Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?"
My soul remains mute.
"Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty."
Not a word. -- Is my soul dead?
Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!"
Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!”
― Paris Spleen
It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul
"Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!"
My soul does not reply.
"Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?"
My soul remains mute.
"Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty."
Not a word. -- Is my soul dead?
Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!"
Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!”
― Paris Spleen
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M.’s 2024 Year in Books
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