Mike Finn

“She nursed a second beer while she tried not to race through the last three chapters of The Lens and the Dapplegrim. Brand was a blur beyond her vision, and the noise piled up against the walls, leaving her alone in the center of a perfect sphere of story. Each word tumbled into the next, a rockslide of prose that would end in a dramatic confrontation between Investigator Beckett and the deliciously devious Aramy, with Leena’s life in the balance. At least that’s where she expected things to go. The book had a way of confounding her expectations, and every time it did, she experienced a thrill of delight.”
― Travis Baldree, Bookshops & Bonedust

“But not everyone has dreams. Some people just are, the way that trees and rocks and rivers are just there without a reason, the rest of the world moving around them.”
― Kylie Lee Baker, Bat Eater and Other Names for Cora Zeng

“No Human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil.”
― Shirley Jackson, The Haunting of Hill House

“No human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil.”
― Shriley Jackson