Monique

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Ursula K. Le Guin
“You can't change anything from the outside in. Standing apart, looking down, talking the overview, you see pattern. What's wrong, what's missing. You want to fix it. But you can't patch it. You have to be in it, weaving it. You have to be part of the weaving.”
Ursula K. Le Guin, Four Ways to Forgiveness

Judith Butler
“Let's face it. We're undone by each other. And if we're not, we're missing something.
This seems so clearly the case with grief, but it can be so only because it was already the case with desire. One does not always stay intact. One may want to, or manage to for a while, but despite one's best efforts, one is undone, in the face of the other, by the touch, by the scent, by the feel, by the prospect of the touch, by the memory of the feel.”
Judith Butler, Precarious Life: The Powers of Mourning and Violence

Imogen Binnie
“Eventually you can't help but figure out that, while gender is a construct, so is a traffic light, and if you ignore either of them, you get hit by cars. Which, also, are constructs.”
Imogen Binnie, Nevada

James Baldwin
“ANY REAL CHANGE IMPLIES THE breakup of the world as one has always known it, the loss of all that gave one an identity, the end of safety. And at such a moment, unable to see and not daring to imagine what the future will now bring forth, one clings to what one knew, or thought one knew; to what one possessed or dreamed that one possessed. Yet, it is only when a man is able, without bitterness or self-pity, to surrender a dream he has long cherished or a privilege he has long possessed that he is set free—he has set himself free—for higher dreams, for greater privileges. All men have gone through this, go through it, each according to his degree, throughout their lives. It is one of the irreducible facts of life. And remembering this, especially since I am a Negro, affords me almost my only means of understanding what is happening in the minds and hearts of white Southerners today.”
James Baldwin, Nobody Knows My Name

Miranda July
“The idea that you might end up in a job that doesn't allow you to be who you are, over the course of a lifetime, is still one of the most chilling nightmares to me. It's a good metaphor for fears I have about losing my soul in some accidental, mundane way. So, to me, these jobs that my characters have are very loaded. They immediately suggest a complex character to me, a woman who is, say, a secretary, but also a vigilante on behalf of her own soul.”
Miranda July

25x33 a-POC-a-lit (Australia) — 17 members — last activity Feb 23, 2015 06:02PM
Reading and sharing bookshelves full of POC Australian writers.
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