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Anna Karenina
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Bone, Breath, and...
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In the Realm of H...
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Oliver Sacks
“This usually occurs at the moment when my head hits the pillow at night; my eyes close and … I see imagery. I do not mean pictures; more usually they are patterns or textures, such as repeated shapes, or shadows of shapes, or an item from an image, such as grass from a landscape or wood grain, wavelets or raindrops … transformed in the most extraordinary ways at a great speed. Shapes are replicated, multiplied, reversed in negative, etc. Color is added, tinted, subtracted. Textures are the most fascinating; grass becomes fur becomes hair follicles becomes waving, dancing lines of light, and a hundred other variations and all the subtle gradients between them that my words are too coarse to describe.”
― Oliver Sacks, Hallucinations

Shirley Jackson
“Journeys end in lovers meeting; I have spent an all but sleepless night, I have told lies and made a fool of myself, and the very air tastes like wine. I have been frightened half out of my foolish wits, but I have somehow earned this joy; I have been waiting for it for so long.”
― Shirley Jackson, The Haunting of Hill House

Shirley Jackson
“Look. There's only one of me, and it's all I've got. I hate seeing myself dissolve and slip and separate so that I'm living in one half, my mind, and I see the other half of me helpless and frantic and driven and I can't stop it, but I know I'm not really going to be hurt and yet time is so long and even a second goes on and on and I could stand any of it if I could only surrender-”
― Shirley Jackson, The Haunting of Hill House

Vladimir Nabokov
“And I catch myself thinking today that our long journey had only been defiled with a sinuous trail of slime the lovely, trustful, dreamy, enormous country that by then, in retrospect, was no more to us than a collection of dog-eared maps, ruined tour books, old tires, and her sobs in the night - every night, every night - the moment I feigned sleep.”
― Vladimir Nabokov
tags: lolita

Haruki Murakami
“The well bottom is like the bottom of the sea. Things down here stay very still, keeping their original forms, as if under tremendous pressure, unchanged from day to day.

A round slice of light floats high above me: the evening sky. Looking up at it, I think about the October evening world, where "people" must be going about their lives. Beneath
that pale autumn light, they must be walking down streets, going to the store for things,
preparing dinner, boarding trains for home. And they think - if they think at all - that these
things are too obvious to think about, just as I used to do (or not do). They are the vaguely
defined "people," and I used to be a nameless one among them. Accepting and accepted, they live with one another beneath that light, and whether it lasts forever or for a moment, there must be a kind of closeness while they are enveloped in the light. I am no longer one of them, however. They are up there, on the face of the earth; I am down here, in the bottom of a well. They possess the light, while I am in the process of losing it. Sometimes I feel that I may never find my way back to that world, that I may never again be able to feel the peace of being enveloped in the light, that I may never again be able to hold the cat's soft body in my arms. And then I feel a dull ache in the chest, as if something inside there is being squeezed to death.”
― Haruki Murakami, The Wind-Up Bird Chronicle

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