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Americanah
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The Odyssey
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Entangled Life: H...
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  (page 137 of 352)
Dec 31, 2021 03:21PM

 
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Anthony Doerr
“sprint, woodwinds fluttering behind. More instruments join in. Flutes? Harps? The song races, seems to loop back over itself. “Werner?” Jutta whispers. He blinks; he has to swallow back tears. The parlor looks the same as it always has: two cribs beneath two Latin crosses, dust floating in the open mouth of the stove, a dozen layers of paint peeling off the baseboards. A needlepoint of Frau Elena’s snowy Alsatian village above the sink. Yet now there is music. As if, inside Werner’s head, an infinitesimal orchestra has stirred to life. The room seems to fall into a slow spin. His sister says his name more urgently, and he presses the earphone to her ear. “Music,” she says. He holds the pin as stock-still as he can. The signal is weak enough that, though the earphone is six inches away, he can’t hear any trace of the song. But he watches his sister’s face, motionless except for her eyelids, and in the kitchen Frau Elena holds her flour-whitened hands in the air and cocks her head, studying Werner, and two older boys rush in and stop, sensing some change in the air, and the little radio with its four terminals and trailing aerial sits motionless on the floor between them all like a miracle.”
Anthony Doerr, All the Light We Cannot See

Anthony Doerr
“All my life, he thinks, my best companions cannot speak the same language as me.”
Anthony Doerr, Cloud Cuckoo Land

“It is perfectly serendipitous,' said the boy, descending the steps to the street. 'Fancy that—us meeting a second time! Of course I have wished for it, very much—but they were vain wishes; the kind one makes in twilight states, you know, idly. I remember just what you said, as we rounded the heads of the harbor—in the dawn light. "I should like to see him in a storm," you said. I have thought of it many times, since; it was the most delightfully original of speeches.'

Anna blushed at this: not only had she never heard herself described as an original before, she had certainly never supposed that her utterances qualified as 'speeches.”
Eleanor Catton, The Luminaries

“A woman fallen has no future; a man risen has no past.”
Eleanor Catton, The Luminaries

Anthony Doerr
“Almost overnight, the streets glow with meaning. She reads inscriptions on coins, on cornerstones and tombstones, on lead seals and buttress piers and marble plaques embedded into the defensive walls—each twisting lane of the city a great battered manuscript in its own right.”
Anthony Doerr, Cloud Cuckoo Land

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