Bhaskar Shukla

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“Many people can't comprehend the selfishness of suicide. And they're right, it is selfish. But in that dark place, you don't think clearly. You don't think about consequences. You can only think about making the pain stop, how to be less of a burden to everyone around you and how they should be spending their love on someone who deserves it. Someone who is worthy.”
Kirsti Alexandra, The Bipolarfly Effect

Oliver Sacks
“Many cultures regard hallucination, like dreams, as a special, privileged state of consciousness—one that is actively sought through spiritual practices, meditation, drugs, or solitude. But in modern Western culture, hallucinations are more often considered to portend madness or something dire happening to the brain—even though the vast majority of hallucinations have no such dark implications.”
Oliver Sacks, Hallucinations

Kay Redfield Jamison
“There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you’re high it’s tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one’s marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends’faces are replaced by fear and concern. Everything previously moving with the grain is now against—you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality. It goes on and on, and finally there are only others’ recollections of your behavior—your bizarre, frenetic, aimless behaviors—for mania has at least some grace in partially obliterating memories. What then, after the medications, psychiatrist, despair, depression, and overdose? All those incredible feelings to sort through. Who is being too polite to say what? Who knows what? What did I do? Why? And most hauntingly, when will it happen again? Then, too, are the bitter reminders—medicine to take, resent, forget, take, resent, and forget, but always to take. Credit cards revoked, bounced checks to cover, explanations due at work, apologies to make, intermittent memories (what did I do?), friendships gone or drained, a ruined marriage. And always, when will it happen again? Which of my feelings are real? Which of the me’s is me? The wild, impulsive, chaotic, energetic, and crazy one? Or the shy, withdrawn, desperate, suicidal, doomed, and tired one? Probably a bit of both, hopefully much that is neither. Virginia Woolf, in her dives and climbs, said it all: “How far do our feelings take their colour from the dive underground? I mean, what is the reality of any feeling?”
Kay Redfield Jamison, An Unquiet Mind

Juliann Garey
“I nod. Pull out a chair and try to gather my thoughts. No small feat for me these days. I take a deep breath and try again. “What is … the treatment goal for people with … with what I …” Knight leans across the table toward me. “Bipolar disorder type I.” “Yeah.” “Okay … well, we want to stop the extreme mood changes. Bring down the ceiling on the mania, bring up the floor on the depression.” Knight uses his hands to illustrate the shrinking space. “Put more time between the episodes. And make the medication regimen as tolerable as possible. Stability. That’s what we’re aiming for.”
Juliann Garey, Too Bright to Hear Too Loud to See

Juliann Garey
“I don’t know if you’re going to understand this, Greyson, but I’m going to tell you anyway. You should never be afraid to cry.” “But boys—” I started to say. “No, not just because it’s okay for boys to cry too. But because, Greyson, you are very lucky. Not everyone can feel things as deeply as you. Most people, their feelings are … bland, tasteless. They’ll never understand what it’s like to read a poem and feel almost like they’re flying, or to see a bleeding fish and feel grief that shatters their heart. It’s not a weakness, Grey. It’s what I love about you most.” Then he hugged me. Hard. And I’m not sure, but he might have been crying. That short, unsullied time when I simply thought he was special has a sense of place and a smell all its own. It is a tiny shred of my father that, like a child’s blanket, I am both attached to and embarrassed by. And that I would be devastated to lose. I suppose that irretrievable time is as much a piece of me as it is of him.”
Juliann Garey, Too Bright to Hear Too Loud to See

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