206 books
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“For those who may still believe in the "official" chronology of the historical development of metals, identifying copper as the metal the ancient Egyptians used for cutting granite is like saying that aluminum could be cut using a chisel fashioned out of butter.”
― The Giza Power Plant: Technologies of Ancient Egypt
― The Giza Power Plant: Technologies of Ancient Egypt
“from publicly available documents. But now it is also evident that when the mists of leaks, rumors, and denials are pierced, if not the public, then the world's leaders have been aware for some time first, that there is one more planet in our Solar System and second, that we are not alone.”
― Genesis Revisited: Is Modern Science Catching Up With Ancient Knowledge?
― Genesis Revisited: Is Modern Science Catching Up With Ancient Knowledge?
“Don’t get discouraged because there’s a lot of mechanical work to writing … I rewrote the first part of A Farewell to Arms at least fifty times….The first draft of anything is shit.”
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“I think that writers are made, not born or created out of dreams of childhood trauma—that becoming a writer (or a painter, actor, director, dancer, and so on) is a direct result of conscious will. Of course there has to be some talent involved, but talent is a dreadfully cheap commodity, cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work and study; a constant process of honing. Talent is a dull knife that will cut nothing unless it is wielded with great force—a force so great the knife is not really cutting at all but bludgeoning and breaking (and after two or three of these gargantuan swipes it may succeed in breaking itself…which may be what happened to such disparate writers as Ross Lockridge and Robert E. Howard). Discipline and constant work are the whetstones upon which the dull knife of talent is honed until it becomes sharp enough, hopefully, to cut through even the toughest meat and gristle. No writer, painter, or actor—no artist—is ever handed a sharp knife (although a few are handed almighty big ones; the name we give to the artist with the big knife is “genius”), and we hone with varying degrees of zeal and aptitude.”
― Danse Macabre
― Danse Macabre
“And, so to tell more about the South Watcher. A million years gone, as I have told, came it out from the blackness of the South, and grew steadily nearer through twenty thousand years; but so slow that in no one year could a man perceive that it had moved.”
― The Night Land
― The Night Land
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