Alex Schaefer

“They get on with it. Even after imagining all this fineness—the girls (check), Edward (check)—I bawled, stuck on the awful thought that the reason I’d ended up in Ellen Tanner’s house, the reason no one had hired me as a waitress or bartender, the reason I’d been fired by Eugenia Brown and answered an ad from a widower, was so I could see how a family goes on, so I could witness their suffering, their slow but indisputable survival.”
― Kelly Corrigan, Glitter and Glue

“I live within my means and worship my girlfriends, especially the ones who play cards and rag me about keeping the thermostat set too low. I don’t long for other mothers anymore; I don’t even wonder about them. I was meant to be her daughter, and I consider it a damn good thing that she, of all people, was the principal agent in my development.”
― Kelly Corrigan, Glitter and Glue

“If my mom died and I couldn’t call her up inside myself, I’d pull on a pair of elastic-waistband pants, pour a touch of Smirnoff over ice, and phone a girlfriend to play cards. If that didn’t work, I’d try reading a library book on a beach chair, and if that didn’t work, I’d take her rosary beads and shake them like a shaman until she came back to me, until I could see her and hear her and feel her again.”
― Kelly Corrigan, Glitter and Glue

“There was something so marvelously innocent, so irretrievably lost, about the world back then. You could see it in the easy, confident gait and sun-drenched smiles of the vacationers in every photograph. These people were happy. I don’t mean they were happy. They were happy. They were living at a good time in a lucky country and they knew it. They had good jobs, good homes, good families, good prospects, good vacations in cheerful, sunny places.”
― Bill Bryson, In a Sunburned Country