Camille

“Nico di Angelo wasn’t physically imposing like Sherman Yang. He didn’t have Reyna Ramírez-Arellano’s air of authority, or Hazel Levesque’s commanding presence when she charged into battle on horseback. But Nico wasn’t someone I would ever want as an enemy. He was deceptively quiet. He appeared anemic and frail. He kept himself on the periphery. But Will was right about how much Nico had been through. He had been born in Mussolini’s Italy. He had survived decades in the time-warp reality of the Lotus Casino. He’d emerged in modern times disoriented and culture-shocked, arrived at Camp Half-Blood, and promptly lost his sister Bianca to a dangerous quest. He had wandered the Labyrinth in self-imposed exile, being tortured and brainwashed by a malevolent ghost. He’d overcome everyone’s distrust and emerged from the Battle of Manhattan as a hero. He’d been captured by giants during the rise of Gaea. He’d wandered Tartarus alone and somehow managed to come out alive. And through it all, he’d struggled with his upbringing as a conservative Catholic Italian male from the 1930s and finally learned to accept himself as a young gay man. Anyone who could survive all that had more resilience than Stygian iron.”
― Rick Riordan, The Tower of Nero