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House of Psychoti...
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Il lago della cre...
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Thomas Pynchon
“Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?”
Thomas Pynchon, The Crying of Lot 49

Michael Cunningham
“Peter glances out at the falling snow. Oh, little man. You have brought down your house not through passion but by neglect. You who dared to think of yourself as dangerous. You are guilty not of the epic transgressions but the tiny crimes. You have failed in the most base and human of ways - you have not imagined the lives of others.”
Michael Cunningham, By Nightfall

William H. Gass
“Blue is the color of the mind in borrow of the body; it is the color consciousness becomes when caressed; it is the dark inside of sentences, sentences which follow their own turnings inward out of sight like the whorls of a shell, and which we follow warily, as Alice after that rabbit, nervous and white, till suddenly — there! climbing down clauses and passing through ‘and’ as it opens — there — there — we’re here!... in time for tea and tantrums; such are the sentences we should like to love — the ones which love us and themselves as well — incestuous sentences — sentences which make an imaginary speaker speak the imagination loudly to the reading eye; that have a kind of orality transmogrified: not the tongue touching the genital tip, but the idea of the tongue, the thought of the tongue, word-wet to part-wet, public mouth to private, seed to speech, and speech... ah! after exclamations, groans, with order gone, disorder on the way, we subside through sentences like these, the risk of senselessness like this, to float like leaves on the restful surface of that world of words to come, and there, in peace, patiently to dream of the sensuous, and mindful Sublime.”
William H. Gass, On Being Blue

Édouard Levé
“Until the age of twelve I thought I was gifted with the power to shape the future, but this power was a crushing burden, it manifested itself in the form of threats, I had to take just so many steps before I got to the end of the sidewalk or else my parents would die in a car accident, I had to close the door thinking of some favorable outcome, for example passing a test, or else I’d fail, I had to turn off the light not thinking about my mother getting raped, or that would happen, one day I couldn’t stand having to close the door a hundred times before I could think of something good, or to spend fifteen minutes turning off the light the right way, I decided enough was enough, the world could fall apart, I didn’t want to spend my life saving other people, that night I went to bed sure the next day would bring the apocalypse, nothing happened, I was relieved but a little bit disappointed to discover I had no power.”
Édouard Levé, Suicide

Thomas Bernhard
“We even understand a philosophical essay better if we do not gobble it up entirely and at one go, but pick out a detail from which we then arrive at the whole, if we are lucky. Our greatest pleasure, surely, is in fragments, just as we derive the most pleasure from life if we regard it as a fragment, whereas the whole and the complete and perfect are basically abhorrent to us. Only when we are fortunate enough to turn something whole, something complete or indeed perfect into a fragment, when we get down to reading it, only then do we experience a high degree, at times indeed a supreme degree, of pleasure in it.”
Thomas Bernhard, Old Masters: A Comedy

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