Flora

“Interpretation takes the sensory experience of the work of art for granted, and proceeds from there. This cannot be taken for granted, now. Think of the sheer multiplication of works of art available to every one of us, superadded to the conflicting tastes and odors and sights of the urban environment that bombard our senses. Ours is a culture based on excess, on overproduction; the result is a steady loss of sharpness in our sensory experience. (...) And it is in the light of the condition of our senses, our capacities, that the task of the critic must be assessed. What is important now is to recover our senses. We must learn to See more, to Hear more, to Feel more.”
― Susan Sontag, Against Interpretation and Other Essays

“Being a heterosexual woman who loved men meant being a translator for their emotions, a palliative nurse for their pride and a hostage negotiator for their egos.”
― Dolly Alderton, Ghosts

“I will always remember my first wave this morning. The smells of paraffin wax and brine and peppy scrub. The way the swell rose beneath me like a body drawing to air. How the wave drew me forward and I sprang to my feet, skating with the wind of momentum in my ears. I leant across the wall of upstanding water and the board came with me as though it was part of my body and mind. The blur of spray. The billion shards of light. I remember the solitary watching figure on the beach and the flash of Loonies's smile as I flew by; I was intoxicated. And though I've lived to be an old man with my own share of happiness for all the mess I made, I still judge every joyous moment, every victory and revelation against those few seconds of living.”
― Tim Winton, Breath

“People would be so much more at ease if they acted on impulse rather than reason. That’s why drugs are so effective in curing mental illness—because they impair our judgment. Don’t try to think too much.”
― Ottessa Moshfegh, My Year of Rest and Relaxation