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“History is what hurts, it is what refuses desire and sets inexorable limits to individual as well as collective praxis...”
― The Political Unconscious
― The Political Unconscious
“When you finish anything, people want you to then talk about it. And I think it’s almost like a crime. A film or a painting – each thing is its own sort of language and it’s not right to try to say the same thing in words. The words are not there. The language of film, cinema, is the language it was put into, and the English language – it’s not going to translate. It’s going to lose.”
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“What is repressed is never, of course, annihilated: it will always strive to return, in disguised forms, in dreams, or as neurotic symptoms. If Freud was correct—and I see no reason to suppose otherwise—we should expect to find the traces of repressed homosexuality in every film, just as we should expect to find them in every person, usually lurking beneath the surface, occasionally rupturing it, informing in various ways the human relationships depicted.”
― Hollywood from Vietnam to Reagan
― Hollywood from Vietnam to Reagan
“And when you became Denise, I told your colleagues, those clown comics; to fix their hearts or die.”
― Twin Peaks
― Twin Peaks
“the conventional sociology of literature or culture, which modestly limits itself to the identification of class motifs or values in a given text, and feels that its work is done when it shows how a given artifact “reflects” its social background, is utterly unacceptable.”
― The Political Unconscious: Narrative as a Socially Symbolic Act
― The Political Unconscious: Narrative as a Socially Symbolic Act
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