michael
https://www.goodreads.com/eraserheadbaby
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“The film is the thing. You work so hard after the ideas come to get this thing built, all the elements to feel correct, the whole to feel correct in this beautiful language called 'cinema'. And the second it's finished people want you to change it back into words. And it's very, very saddening. It's a torture. It's the film, the language of cinema. When things are concrete [there's] very few variations in interpretation. But the more abstract a thing gets, the more varied the interpretations. But people still know inside what it is for them. And even if they don't trust their intuition, I always say that if some girl named Sally... she comes out of the theatre 'I don't have a clue what that means!' She goes over with Bob and Jim to get a cup of coffee. Bob starts talking about what he thinks it is, because he knows exactly what it is, he starts talking. Five seconds later Sally 'No, no, no, no, it's not that!' And all these things come out of Sally. So, Sally really did know. For herself. That's the beauty of it. It’s just like life. You see sort of the same things, but you come up with many many different things as you go along as a detective. [...] You have everything in the film, that’s the thing. It doesn’t matter what I say. Zip! It can only be a negative. The thing is built so you don't wanna take anything away, and you don't wanna add anything to it. It's complete. That's it.”
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“When you finish anything, people want you to then talk about it. And I think it’s almost like a crime. A film or a painting – each thing is its own sort of language and it’s not right to try to say the same thing in words. The words are not there. The language of film, cinema, is the language it was put into, and the English language – it’s not going to translate. It’s going to lose.”
―
―
“the conventional sociology of literature or culture, which modestly limits itself to the identification of class motifs or values in a given text, and feels that its work is done when it shows how a given artifact “reflects” its social background, is utterly unacceptable.”
― The Political Unconscious: Narrative as a Socially Symbolic Act
― The Political Unconscious: Narrative as a Socially Symbolic Act
“Despair is perhaps today our most dangerous enemy, and the most difficult to combat. Money is power, and it is overwhelmingly in the hands of our potential destroyers, who are supported by the governments so many of us have helped to elect. I have a voice somewhere inside me that says, all too frequently, "Give up, shut up; really retire; do all the things you want to do, read your books, listen to your music, watch your movies, it's already a lost war, leave it all alone." But then those books, that music, those films, tell me the exact opposite: "You must fight, you must speak. If you stop, what happens to your self-respect?”
― Hollywood from Vietnam to Reagan
― Hollywood from Vietnam to Reagan
“To whom thus Eve repli'd. O thou for whom
And from whom I was formd flesh of thy flesh,
And without whom am to no end, my Guide
And Head, what thou hast said is just and right.
For wee to him indeed all praises owe,
And daily thanks, I chiefly who enjoy
So farr the happier Lot, enjoying thee
Præeminent by so much odds, while thou
Like consort to thy self canst no where find.
That day I oft remember, when from sleep
I first awak't, and found my self repos'd
Under a shade of flours, much wondring where
And what I was, whence thither brought, and how.
Not distant far from thence a murmuring sound
Of waters issu'd from a Cave and spread
Into a liquid Plain, then stood unmov'd
Pure as th' expanse of Heav'n; I thither went
With unexperienc't thought, and laid me downe
On the green bank, to look into the cleer
Smooth Lake, that to me seemd another Skie.
As I bent down to look, just opposite,
A Shape within the watry gleam appeard
Bending to look on me, I started back,
It started back, but pleas'd I soon returnd,
Pleas'd it returnd as soon with answering looks
Of sympathie and love; there I had fixt
Mine eyes till now, and pin'd with vain desire,
Had not a voice thus warnd me, What thou seest,
What there thou seest fair Creature is thy self,
With thee it came and goes: but follow me,
And I will bring thee where no shadow staies
Thy coming, and thy soft imbraces, hee
Whose image thou art, him thou shalt enjoy
Inseparablie thine, to him shalt beare
Multitudes like thy self, and thence be call'd
Mother of human Race: what could I doe,
But follow strait, invisibly thus led?
Till I espi'd thee, fair indeed and tall,
Under a Platan, yet methought less faire,
Less winning soft, less amiablie milde,
Then that smooth watry image; back I turnd,
Thou following cryd'st aloud, Return faire Eve,
Whom fli'st thou? whom thou fli'st, of him thou art,
His flesh, his bone; to give thee being I lent
Out of my side to thee, neerest my heart
Substantial Life, to have thee by my side
Henceforth an individual solace dear;
Part of my Soul I seek thee, and thee claim
My other half: with that thy gentle hand
Seisd mine, I yielded, and from that time see
How beauty is excelld by manly grace
And wisdom, which alone is truly fair.”
― Paradise Lost
And from whom I was formd flesh of thy flesh,
And without whom am to no end, my Guide
And Head, what thou hast said is just and right.
For wee to him indeed all praises owe,
And daily thanks, I chiefly who enjoy
So farr the happier Lot, enjoying thee
Præeminent by so much odds, while thou
Like consort to thy self canst no where find.
That day I oft remember, when from sleep
I first awak't, and found my self repos'd
Under a shade of flours, much wondring where
And what I was, whence thither brought, and how.
Not distant far from thence a murmuring sound
Of waters issu'd from a Cave and spread
Into a liquid Plain, then stood unmov'd
Pure as th' expanse of Heav'n; I thither went
With unexperienc't thought, and laid me downe
On the green bank, to look into the cleer
Smooth Lake, that to me seemd another Skie.
As I bent down to look, just opposite,
A Shape within the watry gleam appeard
Bending to look on me, I started back,
It started back, but pleas'd I soon returnd,
Pleas'd it returnd as soon with answering looks
Of sympathie and love; there I had fixt
Mine eyes till now, and pin'd with vain desire,
Had not a voice thus warnd me, What thou seest,
What there thou seest fair Creature is thy self,
With thee it came and goes: but follow me,
And I will bring thee where no shadow staies
Thy coming, and thy soft imbraces, hee
Whose image thou art, him thou shalt enjoy
Inseparablie thine, to him shalt beare
Multitudes like thy self, and thence be call'd
Mother of human Race: what could I doe,
But follow strait, invisibly thus led?
Till I espi'd thee, fair indeed and tall,
Under a Platan, yet methought less faire,
Less winning soft, less amiablie milde,
Then that smooth watry image; back I turnd,
Thou following cryd'st aloud, Return faire Eve,
Whom fli'st thou? whom thou fli'st, of him thou art,
His flesh, his bone; to give thee being I lent
Out of my side to thee, neerest my heart
Substantial Life, to have thee by my side
Henceforth an individual solace dear;
Part of my Soul I seek thee, and thee claim
My other half: with that thy gentle hand
Seisd mine, I yielded, and from that time see
How beauty is excelld by manly grace
And wisdom, which alone is truly fair.”
― Paradise Lost
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