Aubrey

“You are the kind of woman who makes me believe in God, Ceony,” he murmured. “I don’t know how else it could be possible to find you. For heaven’s sake, you even delivered yourself to my front door.”
― Charlie N. Holmberg, The Master Magician

“She stared up into the beauty of his green eyes, and for a moment she saw everything there, all the pieces of his heart that she remembered so vividly, all the smiles and unspoken words she had earned since meeting him three months earlier.”
― Charlie N. Holmberg, The Glass Magician

“Prit?” she asked. “The boy you bullied in school?”

Emery scratched the back of his head. “‘Bullied’ sounds so juvenile . . .”

“But it’s him, isn’t it?” Ceony pushed. “Pritwin Bailey? He became a Folder after all?”

Emery nodded. “We graduated from Praff together, actually. But yes, he’s the same.”

Ceony relaxed somewhat. “So you two are on good terms, then?”

The paper magician barked a laugh. “Oh, heavens no. We haven’t spoken to each other since Praff, save for this telegram. He quite loathes me, actually.”

Ceony’s eyes bugged. “And you’re sending me to test with him?”

Emery smiled. “Of course, in a few days. What better way to prove you had no bias than to place your career aspirations in the hands of Pritwin Bailey?”

Ceony stared at him a long moment. “I’ve been shot to hell, haven’t I?”

“Language, love.”
― Charlie N. Holmberg, The Master Magician

“So this is a story about light and goodness and Truth with a capital T. It's about beauty, and resurrection, and redemption. But for those things to ring true in a child's heart, the storyteller has to be honest. He has to acknowledge that sometimes when the hall light goes out and the bedroom goes dark, the world is a scary place. He has to nod his head to the presence of all the sadness in the world; children know it's there from a very young age, and I wonder sometimes if that's why babies cry. He has to admit that sometimes characters make bad choices, because every child has seen their parent angry or irritable or deceitful--even the best people in our lives are capable of evil.

But of course the storyteller can't stop there. He has to show in the end there is a Great Good in the world (and beyond it). Sometimes it is necessary to paint the sky black in order to show how beautiful is the prick of light. Gather all the wickedness in the universe into its loudest shriek and God hears it as a squeak at best. And that is a comforting thought. When a child reads the last sentence of my stories, I hope he or she drifts to sleep with a glow in their hearts and a warmth in their bones, believing that all shall be well, and all shall be well, and all manner of things shall be well.”
― Andrew Peterson, On the Edge of the Dark Sea of Darkness