Anagha M.

“There’s a kind of time travel in letters, isn’t there? I imagine you laughing at my small joke; I imagine you groaning; I imagine you throwing my words away. Do I have you still? Do I address empty air and the flies that will eat this carcass? You could leave me for five years, you could return never—and I have to write the rest of this not knowing.”
― Amal El-Mohtar, This Is How You Lose the Time War

“It is important here not to confuse publicity with the pleasure or benefits to be enjoyed from the things it advertises. Publicity is effective precisely because it feeds upon the real. Clothes, food, cars, cosmetics, baths, sunshine are real things to be enjoyed in themselves. Publicity begins by working on a natural appetite for pleasure. But it cannot offer the real object of pleasure and there is no convincing substitute for a pleasure in that pleasure's own terms.

The more convincingly publicity conveys the pleasure of bathing in a warm, distant sea, the more the spectator-buyer will become aware that he is hundreds of miles away from that sea and the more remote the chance of bathing in it will seem to him. This is why publicity can never really afford to be about the product or opportunity it is proposing to the buyer who is not yet enjoying it. Publicity is never a celebration of a pleasure-in-itself. Publicity is always about the future buyer. It offers him an image of himself made glamorous by the product or opportunity it is trying to sell. The image then makes him envious of himself as he might be. Yet what makes this self-which-he-might-be enviable?

The envy of others. Publicity is about social relations, not objects. Its promise is not of pleasure, but of happiness : happiness as judged from the outside by others. The happiness of being envied is glamour.

Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you. You are observed with interest but you do not observe with interest - if you do, you will become less enviable.

.......

The spectator-buyer is meant to envy herself as she will become if she buys the product. She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself. One could put this another way : the publicity images steals her love of herself as she is, and offers it back to her for the price of the product.”
― John Berger, Ways of Seeing

“As we embark upon the twenty-first century, it seems ironically clear that tomorrow’s anarchy might still be due, in no small part, to yesterday’s colonial attempts at order. I have no wish to give those politicians in postcolonial countries whose leadership has been found wanting in the present, any reason to find excuses for their failures in the past. But in looking to understand the forces that have made us and nearly unmade us, and in hoping to recognize possible future sources of conflict in the new millennium, we have to realize that sometimes the best crystal ball is a rear-view mirror.”
― Shashi Tharoor, An Era of Darkness: The British Empire in India

“Then again, maybe that’s why I’m drawn to wonder: it pays no attention to priorities.”
― Durga Chew-Bose, Too Much and Not the Mood: Essays