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Aug 05, 2026 07:05PM

 
Book cover for Silent House
I’ll take all those crimes and robberies, wars and villagers, generals and crooks, that are asleep in the silence of the archives and write each of them down, one by one, on slips of paper the size of playing cards. Then I’ll shuffle that ...more
Joseph Nicholas
the story we tell ourselves exists
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Rachel Kushner
“Charisma does not originate inside the person called “charismatic.” It comes from the need of others to believe that special people exist. Without having met him, I was certain that Pascal Balmy’s charisma, like anyone’s—Joan of Arc’s, let’s say—resided only in the will of other people to believe. Charismatic people understand this will-to-believe best of all. They exploit it. That is their so-called charisma.”
Rachel Kushner, Creation Lake

Rachel Kushner
“People tell themselves, strenuously, that they believe in this or that political position, whether it is to do with wealth distribution or climate policy or the rights of animals. They commit to some plan, whether it is to stop old-growth logging, or protest nuclear power, or block a shipping port in order to bring capitalism, or at least logistics, to its knees. But the deeper motivation for their rhetoric—the values they promote, the lifestyle they have chosen, the look they present—is to shore up their own identity.”
Rachel Kushner, Creation Lake

Paul Beatty
“Maybe morons can’t become brain surgeons, but a genius can be either a cardiologist or a postal clerk. Or a bus driver. A bus driver who made some fucked-up choices.”
Paul Beatty, The Sellout

Rachel Kushner
“Don’t underestimate the power of time to erase, he said. Much of life, and what matters most to a culture, consists of what a visual artist would deem “fragile materials”: Wood, say, and wax. Feathers, flowers, fish bones. Plants and unstable pigments. Ice. Emotions, and their transmission from one person to another. Blood, tears, tenderness, joy. Very little of what comprises culture can be found at a dig site. Stone can be found. And this, Bruno said, is the level of logic we are dealing with: the stones are all that is left, and so let’s call them stone age! I don’t fault you—it’s not a character flaw that you’ve used this parlance in your email to me. (The Moulinards had sent him a question about “stone age technologies” as predictive, or not, of later and more destructive technologies.) Rocks endure, Bruno said, and they give us this mistaken idea that human lives revolved around them, when it is merely that rocks are what is left. Which proves the tautology that durable things are durable, and not that ancient people were rock-centric, rock-focused, into rocks.”
Rachel Kushner, Creation Lake

Orhan Pamuk
“I’ll take all those crimes and robberies, wars and villagers, generals and crooks, that are asleep in the silence of the archives and write each of them down, one by one, on slips of paper the size of playing cards. Then I’ll shuffle that awesome deck consisting of hundreds—no, millions—of cards, just as you shuffle a deck of playing cards, but, of course, with much more difficulty, perhaps using special machines, like those lottery machines in front of notaries, and I’ll place them in the hands of my readers! And I’ll tell them: None of these has any connection with any other, preceding or following, front or back, cause or effect. Come, young reader, this is life and history, read it as you will. Everything that exists is in here, it all simply exists, but there’s no story binding it together. Then the disappointed young reader will ask: No story at all? At that point, appreciating his point of view, I’ll say, You’re right, at this age you do need a story to explain everything just so you can live in peace, otherwise you’d come unhinged. And with that, as if slipping a joker into my deck of millions of cards, I’d write Story and begin to gather together the cards in a way that tells a tale.”
Orhan Pamuk, Silent House

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